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Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are... — More…
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Gramophone Awards, 2017, Winner - Early Music
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Building a Library, October 2017, First Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Ancienne
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JS Bach: Magnificat & Christmas Cantata 63
Reconstruction of Bach's first Christmas Vespers in Leipzig
Julia Doyle (soprano), Joanne Lunn (soprano), Clare Wilkinson (alto), Nicholas Mulroy (tenor), Matthew Brook (bass)
Dunedin Consort, John Butt
It’s an absolute joy – far too good to keep for Christmas. — More…
Awards:
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BBC Music Magazine, Choral & Song Choice
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Gramophone Magazine, December 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Baroque Vocal
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Mackerras doesn't short-change us on the tenderness and often painful lyricism… nor is he afraid to relax the tempo as a festive or belligerent motif gives way to a gentler one, with the strings…... — More…
Awards:
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BBC Music Magazine, March 2008, Orchestral Choice
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BBC Music Magazine Awards, 2009, Disc of the Year & Orchestral Award Winner
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Building a Library, February 2020, Also Recommended
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True, she sails perilously close to over-sentimentalising the opening Romanza...but Fliter plays with grace and heartfelt sincerity - abetted by some lovely duetting with the SCO's bassoonist... — More…
Awards:
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Gramophone Magazine, March 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Concerto
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Presto Recordings of the Year, Finalist 2014
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Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... — More…
Awards:
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Presto Recording of the Week, 2nd December 2013
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Katherine Bryan plays Flute Concertos by Christopher Rouse and Jacques Ibert
Katherine Bryan (flute)
Royal Scottish National Orchestra, Jac van Steen
Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... — More…
Awards:
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Gramophone Magazine, August 2013, Editor's Choice
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by skilfully modulating their tone between the smooth and the raucous, the two clarinettists here contrive to minimise the absence of oboe timbre in what proves a lively and nicely nuanced reading...these... — More…
Awards:
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Gramophone Magazine, February 2015, Editor's Choice
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Although Kuniko calibrates balances, dynamics, nuances and sonorities with her expected precision, she also creates a genuine sense of repartee between the parts, as if the six original percussionists... — More…
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Kato has an impeccable sense of rhythm and a capacity for concentration — More…
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