There's a sense of Podger and her players examining and analysing every note in their preparation, deciding on its role, and placing it carefully back into context, without ever disturbing the... — BBC Music Magazine, April 2015, More…

Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... — BBC Music Magazine, June 2018, More…

The [Goldberg] Aria sings without affectation as if to emphasise that what follows isn't about the theme but what happens to it...Unstarchy too is Levit's approach to Beethoven's Diabelli Variations...As... — BBC Music Magazine, January 2016, More…

Perahia is unrivalled in coaxing a subtle dialogue in the dances that resort to the artful pared-back minimalism of the two-part invention. There’s nowhere to hide and Perahia’s effortless variety... — BBC Music Magazine, Christmas 2016, More…

The highlight of the disc for me is Chandler’s performance of a seldom-played E major Violin Concerto by Tartini: he explores fully the rich poetic content of its slow movement while projecting... — BBC Music Magazine, August 2017, More…

Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... — BBC Music Magazine, June 2018, More…

Her playing is intoxicated and intoxicating in equal measure, buoyed up by the wonderful improvisatory camaraderie of a continuo battery…Podger, inevitably, is the star, but ultimately the disc’s... — BBC Music Magazine, December 2017, More…

The leading man is Max Emanuel Cenčić (Ottone), his tone keen, flexible and brilliant…[Xavier Sabata] brings emotionality and intelligence to the role of Adalberto…Ann Hallenberg as Gismonda,... — BBC Music Magazine, September 2017, More…

A completely new and inspiring benchmark for this unique tour de force — BBC Music Magazine, 1st June 2007 More…

Iestyn Davies [gives a] poised, sober performance…Arcangelo’s strings have a beautifully firm sound, with plenty of bow and intelligent details from the lute, while oboist Katharina Spreckelsen... — BBC Music Magazine, January 2017, More…