Help
Skip to main content

US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details

A French Baroque Diva

Arias for Marie Fel

Carolyn Sampson (soprano)

Ex Cathedra, Jeffrey Skidmore

A French Baroque Diva

Awards:

Sampson is quite remarkable. She has the capacity to soften the vocal line with carefully controlled vibrato, but also deploys tone of crystalline clarity...bright, vibrant, responsive and entirely...

A French Baroque Diva

Arias for Marie Fel

Carolyn Sampson (soprano)

Ex Cathedra, Jeffrey Skidmore

Purchase product

CD

$17.25

In stock: usually despatched within 1 working day

Download

From$8.25

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$14.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$12.50

320 kbps, MP3

$8.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Sampson is quite remarkable. She has the capacity to soften the vocal line with carefully controlled vibrato, but also deploys tone of crystalline clarity...bright, vibrant, responsive and entirely...

About

A welcome return of Carolyn Sampson and Ex Cathedra to Hyperion, performing the rich, fulsome music of the French Baroque. Their recording of love songs from Rameau’s operas (Hyperion CDA67447) was hugely acclaimed for Sampson’s stylish, fluid, seductive performances, and ten years later her artistry is even more dazzling.

This album is of particular interest as rather than concentrating on one composer it showcases the works written for the premiere soprano of the day, Marie Fel. Voltaire called her his ‘adorable nightingale’. For d’Aquin, she was an enchanted being. Marie Fel was the soprano who held an entire generation spellbound at the Paris Opéra and at Louis XV’s court during one of the most glorious periods of French music. With a voice described as ‘pure, charming, silvery’ (La Borde), ‘touching and sublime’ (Grimm) and ‘always lovely, always seductive’ (d’Aquin), she inspired some of Jean-Philippe Rameau’s finest music and introduced a whole new level of virtuosity and expression into the French singing tradition. Her long, triumphant career is traced through this fascinating recording.

Contents and tracklist

Prologue Scene 1. Ah! quand reviendront nos beaux jours?
Track length9:01
V. Regna terrae
Track length2:29
I. Sinfonie
Track length1:48
VIII. Tu rex gloriae
Track length1:57
IX. Tu ad liberandum suscepturus hominem
Track length3:22
I. Salve regina, salve mater
Track length4:31
II. Ad te clamamus, exsules, filii Evae
Track length0:50
III. O clemens, o pia
Track length4:17
Act 1 Scenes 2-3. Un tendre intérêt vous appelle – Tristes apprêts
Track length7:02
Act 3 Scene 4. Amour, lance tes traits
Track length3:07
Act 1 Scene 2. Gasouillats auzeléts
Track length3:48
I. Laudate pueri
Track length1:31
III. A solis ortu
Track length3:19
IV. Alleluia
Track length1:53
IV. Venite, adoremus
Track length3:03
I. Accordez vos sons et vos pas
Track length3:43
II. Gavotte: Lyre enchanteresse
Track length1:52
III. Écoutons … D'un doux frémissement
Track length1:53
IV. Vole, Amour, prête-moi tes armes
Track length3:35
V. Contredanse
Track length1:44
V. Viderunt omnes termini terrae
Track length5:07
VI. Hodie si vocem
Track length2:52

Spotlight on this release

Awards and reviews

August 2014

Sampson is quite remarkable. She has the capacity to soften the vocal line with carefully controlled vibrato, but also deploys tone of crystalline clarity...bright, vibrant, responsive and entirely in tune with the expressive language and virtuosic demands of the period.

July 2014

don't be put off by the apparently recherche repertoire: this is a programme that leases as much today as it did in [Fel's]...the longer we listen to Sampson's voice, the more she seems to inhabit the aura of Fel...Sampson's performance is the more admirable for evoking the spirit of another singer. Start to finish, Jeffrey Skidmore devotedly shapes and paces the programme.

September 2014

Sampson is here in glorious voice. She turns ornaments with the exquisite skill of a master jeweller. The support from Skidmore and his excellent chorus and orchestra is unfailingly accomplished and idiomatic. It is difficult to envisage a more fitting tribute to one of the great divas of the past, a singer of whom her friend Voltaire said, ‘Those who have only ears, admire you; those with feeling as well as ears love you.’

Opera Now

I’m sure Jeffrey Skidmore and Ex Cathedra won’t mind me saying this is a very English interpretation...Sampson sings it all beautifully: words, affect, heart and spirit in everything, plus the most natural-sounding control in the coloratura. A really lovely disc of rare and beautiful music, performed with love.
View download progress