Florilegium has already shown its sensibility to and affection for Telemann’s music…Difficult though it is to single out any particular work, I would commend the A major Trio for flute, obbligato harpsichord and continuo for the sensuous, caressing charm of its slow movements and for the light-hearted spirit of its two faster ones. I hasten to add, though, that it is a first among equals.

Wilkinson’s softly convivial and articulate singing communicates the cheerful Epiphany text. Solomon takes centre stage in a flute concerto in D major (TWV51:D2), but my ears were drawn equally to the sympathetic continuo-playing of theorbist David Miller and harpsichordist Terence Charlston.

it’s the performers themselves who bring such freshness and vivacity to Telemann’s charming music.