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Special offer. Telemann - Bach - Britten - Shaw

Timothy Ridout (viola)

Telemann - Bach - Britten - Shaw

Awards:

This is an album that proclaims the viola as a distinctive, individual solo instrument, ideally served here by its skilled interpreter...this [Bach] Chaconne seems to sum up Ridout's whole approach...

Special offer. Telemann - Bach - Britten - Shaw

Timothy Ridout (viola)

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CD

$19.25

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From Original price $12.75 Reduced price $6.50

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192 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($19.25) Reduced price $9.50

96 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit

Awards:

This is an album that proclaims the viola as a distinctive, individual solo instrument, ideally served here by its skilled interpreter...this [Bach] Chaconne seems to sum up Ridout's whole approach...

About

The fact that Timothy Ridout has recorded a whole album of music for unaccompanied viola before the age of thirty is a telling indication of the meteoric rise of this prodigious, boundary-pushing artist. As is his choice of contrasting the Baroque era (Telemann and Bach) with two figures of modern music, in Britten's rarely heard Elegy and Caroline Shaw's in manus tuas. This program is a breathtaking ode to the viola over the centuries, played with all the fire of youth.

Contents and tracklist

I. Largo
Track length2:32
II. Allegro - Grave - Allegro
Track length5:07
I. Dolce
Track length1:46
II. Allegro
Track length2:52
III. Largo
Track length3:07
IV. Presto
Track length1:02
I. Allemande
Track length5:04
II. Courante
Track length2:10
III. Sarabande
Track length4:50
IV. Gigue
Track length4:02
V. Chaconne
Track length15:12
This track is only available as an album download.

Spotlight on this release

Awards and reviews

June 2025

This is an album that proclaims the viola as a distinctive, individual solo instrument, ideally served here by its skilled interpreter...this [Bach] Chaconne seems to sum up Ridout's whole approach as a creative combination of sustained sound with musical argument, perfectly balanced.

April 2025

This is yet another terrific release from Ridout, who again plays a 16th-century Peregrino di Zanetto with all the soul and panache of an Old Master.

21st February 2025

Telemann's Fantasia No. 1 makes for an engaging curtain-raiser, the opening Largo unfolding with an airy, expansive grace...Perhaps the main event, though, is the final work: Bach’s Partita No. 2 in D minor for solo violin, transcribed by Simon Rowland-Jones. Once your ears have adjusted to the lower keys you quickly forget that this music was ever intended for another instrument, especially in a performance as technically accomplished and nuanced as this.

3rd March 2025

The musical pinnacle is reached with Bach’s D minor Partita...Earlier pleasures include Caroline Shaw’s In manus tuas (21st-century ruminations on 16th-century Tallis), and two engaging fantasies by Bach’s friend Telemann, who composed as easily as he drew breath. You could say something similar about Ridout’s viola playing: so fluent, so confident, so glad to be alive.
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