Browse: SACD, Channel (label)

This crack squad of first-rate period-instrument musicians gives lithe, polished and devoted performances that make a convincing case for a one-to-a-part "orchestra". Indeed, so full-bodied is... — Graham Rogers, bbc.co.uk, 30th November 2010 More…

…Fischer's feeling of the Symphony's supple architecture, his ability to caress a phrase or point out a delicious colour without losing the sense of the larger flow, make this one of the most... — BBC Music Magazine, April 2009, More…

There's a sense of Podger and her players examining and analysing every note in their preparation, deciding on its role, and placing it carefully back into context, without ever disturbing the... — BBC Music Magazine, April 2015, More…

Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... — BBC Music Magazine, June 2018, More…

A spellbinding set that is arguably Podger's finest recorded achievement to date...Music that one thinks of instinctively as boldly-etched, deeply (in every sense) introspective and eliciting... — BBC Music Magazine, July 2019 More…

there's the sense of music in possession of a free spirit and keen to test boundaries both expressive and virtuosic...Predictably there's an unfailing eloquence to everything Podger does, whether... — BBC Music Magazine, December 2014, More…

…Fischer… rarely pushes too hard. The orchestral sound is lean but not undernourished, allowing for even balance between contesting lines - outstanding in the funereal coda of the first movement... — BBC Music Magazine, October 2006, More…

By the standards of the average Vivaldi violin concerto, the La stravaganza set is quite extravagant stuff, full of fantasy and experiment – novel sounds, ingenious textures, exploratory melodic... — Gramophone Classical Music Guide, 2010 More…

As vivid a performance as one would expect. That stylishly lazy trombone, a dying monster, is emblematic of the characteristic licence the conductor gives to his splendid Budapest players…the... — BBC Music Magazine, July 2017, More…