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Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... — BBC Music Magazine, June 2018, More…

As vivid a performance as one would expect. That stylishly lazy trombone, a dying monster, is emblematic of the characteristic licence the conductor gives to his splendid Budapest players…the... — BBC Music Magazine, July 2017, More…

By the standards of the average Vivaldi violin concerto, the La stravaganza set is quite extravagant stuff, full of fantasy and experiment – novel sounds, ingenious textures, exploratory melodic... — Gramophone Classical Music Guide, 2010 More…

Her playing is intoxicated and intoxicating in equal measure, buoyed up by the wonderful improvisatory camaraderie of a continuo battery…Podger, inevitably, is the star, but ultimately the disc’s... — BBC Music Magazine, December 2017, More…

You can always expect insights from Iván Fischer's energised Budapest Festival Orchestra, and he has his own distinctive view on this most traumatic and ultimately transcendent of symphonies…for... — BBC Music Magazine, August 2015 More…

…Fischer's feeling of the Symphony's supple architecture, his ability to caress a phrase or point out a delicious colour without losing the sense of the larger flow, make this one of the most... — BBC Music Magazine, April 2009, More…

it stretches the instrument and the violinist to the limit. For this recording Rachel Podger uses the same instrument throughout, putting it through the pain, as part of the fascination for her... — CD Review, 17th October 2015 More…

Unlike some of her continental rivals Podger's light bowing and well-judged tempos effortlessly discover the tenderly poetic content of Vivaldi's music, and here that dimension is abundant...Podger's... — BBC Music Magazine, August 2012, More…

There's a sense of Podger and her players examining and analysing every note in their preparation, deciding on its role, and placing it carefully back into context, without ever disturbing the... — BBC Music Magazine, April 2015, More…

Characteristically unforced and natural, the playing manages to sound endlessly considered yet spontaneous. There's a sureness to the placing of every note, whether poised or bristling with bite... — BBC Music Magazine, December 2013, More…