Nelson drives the drama with unforced tempos but ample theatrical vitality and grandeur…Spyres isn’t as heroic an Aeneas as Jon Vickers…but sings with lyrical grace and spirit and decent if not... — BBC Music Magazine, Christmas 2017, More…

Trifonov’s approach is to search out through rounded and constantly beautiful piano tone the music’s pre-Debussyian side – a legitimate take on Liszt’s radical streak, keeping any risk of meretricious... — BBC Music Magazine, November 2016, More…

Powerful and beautifully crafted, this recording – the first from the relationship between DG and the Boston Symphony under Nelsons – is a hugely impressive sign of just what this ensemble/maestro... — Gramophone Magazine, August 2015 More…

remarkably smooth and sweet toned playing … the ‘Turkish’ episode…is splendidly done, its snarling crescendos well-handled by Giovanni Antonini and Il Giardino Armonico, and the percussive bow-slapping... — BBC Music Magazine, February 2017, More…

Throughout the slow movement, the playing of the solo lines is captivating…The Haas Quartet with Boris Giltburg provide both relaxation and a strong sense of purposeful energy…Excellently recorded,... — BBC Music Magazine, November 2017, More…

Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... — BBC Music Magazine, June 2018, More…

Volodos, rather like the music, can seem to inhabit a world of his own – removed, remote, yet in steely control of the expression of that remoteness…Volodos is a master of soft and silken tone... — BBC Music Magazine, November 2017, More…

Batiashvili focuses on poetic intimacy in this deeply thoughtful performance. — BBC Music Magazine, April 2017 More…

Currentzis has a clear and unified vision of the music’s trajectory, his interpretation grabbing you by the scruff of the neck…Most remarkable of all is the clarity of sound achieved here which... — BBC Music Magazine, February 2018, More…

The [Goldberg] Aria sings without affectation as if to emphasise that what follows isn't about the theme but what happens to it...Unstarchy too is Levit's approach to Beethoven's Diabelli Variations...As... — BBC Music Magazine, January 2016, More…