remarkably smooth and sweet toned playing … the ‘Turkish’ episode…is splendidly done, its snarling crescendos well-handled by Giovanni Antonini and Il Giardino Armonico, and the percussive bow-slapping... — BBC Music Magazine, February 2017, More…

Nelson drives the drama with unforced tempos but ample theatrical vitality and grandeur…Spyres isn’t as heroic an Aeneas as Jon Vickers…but sings with lyrical grace and spirit and decent if not... — BBC Music Magazine, Christmas 2017, More…

Trifonov’s approach is to search out through rounded and constantly beautiful piano tone the music’s pre-Debussyian side – a legitimate take on Liszt’s radical streak, keeping any risk of meretricious... — BBC Music Magazine, November 2016, More…

Powerful and beautifully crafted, this recording – the first from the relationship between DG and the Boston Symphony under Nelsons – is a hugely impressive sign of just what this ensemble/maestro... — Gramophone Magazine, August 2015 More…

Batiashvili focuses on poetic intimacy in this deeply thoughtful performance. — BBC Music Magazine, April 2017 More…

Dynamic ranges are wide, with Ravel's crescendos not underplayed in any mistaken attempt at classicism, and rubatos are applied with tactful expressivity. — BBC Music Magazine, November 2008, More…

Nelsons is spry and precisioned and his insistence on super-keen rhythm pays off big-time...The Fifth Symphony is quite marvellous...and like the Tenth should dominate the catalogue for a long... — Gramophone Magazine, August 2016 More…

Currentzis has a clear and unified vision of the music’s trajectory, his interpretation grabbing you by the scruff of the neck…Most remarkable of all is the clarity of sound achieved here which... — BBC Music Magazine, February 2018, More…

The pulse of the Scherzo is rigorously even, but it has explosive energy; the sheer precisions of the articulation in the finale is a pleasure, as he takes us boldly through its labyrinth of... — BBC Music Magazine, May 2018, More…

Part of the freshness stems from the interaction between Podger and her one-to-a-part ensemble. She’s first among equals and the dynamic couldn’t be further removed from the usual notion of the... — BBC Music Magazine, June 2018, More…