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Brahms: String Sextets

Belcea Quartet, Tabea Zimmermann (viola), Jean-Guihen Queyras (cello)

Brahms: String Sextets

Awards:

The two works have attracted numerous fine recordings, but here a luxury cast of the Belcea Quartet, Tabea Zimmermann and Jean-Guihen Queyras bring us a really special one – full-toned, warm-hearted...

Brahms: String Sextets

Belcea Quartet, Tabea Zimmermann (viola), Jean-Guihen Queyras (cello)

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This release includes a digital booklet

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Awards:

The two works have attracted numerous fine recordings, but here a luxury cast of the Belcea Quartet, Tabea Zimmermann and Jean-Guihen Queyras bring us a really special one – full-toned, warm-hearted...

About

Brahms was one of the first composers to write for pairs of violins, violas and cellos, blazing the trail for Dvořák, Tchaikovsky, Korngold and Schoenberg. His two sextets are early works, composed in 1860 and 1865 respectively. Brahms wrote to his publisher that the second was in ‘the same joyful vein’ as the first. Yet the composer’s life was sombre at this time: his mother died suddenly and his romantic relationship with the soprano Agathe von Siebold ended in failure; indeed, the first movement of the sextet opens with a viola motif on the notes A-G-A-D- B-E (AGADHE in German notation) . . . The members of the Belcea Quartet called in their friends Tabea Zimmermann and Jean-Guihen Queyras to record these peaks of the chamber repertory following a concert tour to some of Europe’s major venues.

Contents and tracklist

I. Allegro ma non troppo
Track length14:44
II. Andante ma moderato
Track length9:31
III. Scherzo. Allegro molto
Track length3:09
IV. Rondo. Poco allegretto e grazioso
Track length10:09
I. Allegro non troppo
Track length13:54
II. Scherzo. Allegro non troppo — Presto giocoso
Track length7:25
III. Poco adagio
Track length8:52
IV. Poco allegro
Track length8:04

Spotlight on this release

Awards and reviews

May 2022

The two works have attracted numerous fine recordings, but here a luxury cast of the Belcea Quartet, Tabea Zimmermann and Jean-Guihen Queyras bring us a really special one – full-toned, warm-hearted and sensitive to the luscious and the sinuous alike.

April 2022

while I can think of numerous recordings of these works that offer affection and graciousness in abundance, I can’t think of another that’s as ear-opening as it is warm-hearted.

26th March 2022

Brahms struggled to create the sound he wanted, telling Clara Schumann that No 1 was rubbish, to be thrown away. Had he heard these terrific players, he might have thought differently.
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