Frang’s exquisite tonal subtlety and enhanced range of dynamics allows her to weave in and out of Beethoven’s carefully graded orchestral textures, with a profound sense of listening and responding to everything that is going on around her...If anything, the Stravinsky is finer still.

Frang is a fascinating and original player whose fund of interpretative ideas is always a pleasure to encounter, and this coupling is no exception.

In both works, her playing is constantly alive to the music’s swirling undercurrents of electric energy...Not a note, whether from Frang or the excellent players of the Kammerphilharmonie, is routine – the level of attention to detail is hugely rewarding.

Vilde Frang and Pekka Kuusisto's new recording combines the best values of traditional interpretation and contemporary musicianship...The declamatory style narrates both Beethoven's late-classical sonic monument and Stravinsky's neoclassical structures with fascinating freshness. One of the highest achievements of modern style in violin playing and conducting.