Latest stories
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Jane Manning (1938-2021)
3rd Apr 2021by Katherine Cooper
The British soprano and contemporary music champion, who premiered works by composers including Harrison Birtwistle, Judith Weir, Oliver Knussen and John Cage, has died aged 82.
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Lise Davidsen in Beethoven, Wagner and Verdi
2nd Apr 2021by Katherine Cooper
The powerhouse Norwegian soprano is in expansive, radiant voice for Wagner’s Wesendonck-Lieder and arias from Fidelio, Otello, La forza del destino, Medea, and Cavalleria rusticana with Sir Mark Elder and the London Philharmonic Orchestra.
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New Release Round-Up - 2nd April 2021
2nd Apr 2021by Katherine Cooper
Bach transcriptions from Francesco Piemontesi, Hindemith from Les Vents Français, Byrd from Fretwork and Alamire, and an impressive debut disc from Franco-Armenian mezzo Varduhi Abrahamyan.
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Presto Editor's Choices - March 2021
31st Mar 2021by Katherine Cooper
A touching and often witty recital of lockdown commissions from Helen Charlston and Michael Craddock, electrifying Ives from Dudamel and the Los Angeles Philharmonic, and a revelatory recital of Florence Price's piano music from Samantha Ege.
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New Release Round-Up - 26th March 2021
26th Mar 2021by Katherine Cooper
Beethoven, Wagner and Verdi from Lise Davidsen, Bach from Phantasm and Collegium Vocale Gent, and Gounod's Faust from Covent Garden, starring Michael Fabiano and Erwin Schrott.
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Peter Whelan on The Trials of Tenducci
23rd Mar 2021by Katherine Cooper
The conductor talks to Katherine about his new recording with the Irish Baroque Orchestra, which explores the musical life of mid-eighteenth-century Dublin and the legacy of one of its brightest imported stars - the scandal-hit castrato Giusto Fernando Tenducci.
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Yevgeny Nesterenko (1938-2021)
22nd Mar 2021by Katherine Cooper
The Russian bass, who was closely associated with the Bolshoi throughout his long career and was particularly acclaimed in Russian repertoire, has died aged 83.
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Mussorgsky: Boris Godunov
Evgeni Nesterenko (Boris), Elena Obraztsova (Marina), Anatoli Babikin (Pimen), Vladimir Atlantov (Grigory/False Dmitri), Artur Eisen (Varlaam), Yuri Mazurok (Rangoni), Konstantin Lisovsky (Shuisky), Olga Teruchnova (Fyodor), Elena Shkolnikova (Xenia), Larissa Nikitina (Hostess), Alexei Maslennikov (Simpleton) Choir and Orchestra of the Bolshoi Theatre, Mark Ermler
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Strauss Lieder from Sandrine Piau and Daniel Behle
19th Mar 2021by Katherine Cooper
The French soprano brings an uncommon freshness and flexibility to the Four Last Songs with the Orchestre Victor Hugo Franche-Comté, whilst Behle and his regular recital-partner Oliver Schnyder revel in the composer's coruscating attack on publishers in the rarely-recorded Der Krämerspiegel.
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New Release Round-Up - 19th March 2021
19th Mar 2021by Katherine Cooper
Rachmaninov from Rattle and the LSO, English song from alumni of King's College Cambridge, Rameau from György Vashegyi, and a Proustian recital from Théotime Langlois de Swarte and Tanguy de Williencourt.
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Joyce DiDonato's Winterreise and other forthcoming highlights
17th Mar 2021by Katherine Cooper
A novel take on Schubert's Winter Journey from the American mezzo and Yannick Nézet-Séguin, plus Schoenberg from Patricia Kopatchinskaja, Vaughan Williams from Antonio Pappano, and Péter Eötvös's new violin concerto from its dedicatee Isabelle Faust.
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Renaud Capuçon on Elgar
16th Mar 2021by Katherine Cooper
The French violinist talks to Katherine about recording the Violin Concerto and Sonata with Sir Simon Rattle, the London Symphony Orchestra, and Stephen Hough.
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French Piano Duets from Paul Lewis and Steven Osborne
12th Mar 2021by Katherine Cooper
In a true meeting of musical minds, the two superb pianists team up once again for a delectable programme of miniatures by Fauré, Poulenc, Stravinsky, Debussy and Ravel.
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Julian Perkins on Stephen Dodgson
11th Mar 2021by Katherine Cooper
The conductor talks to Katherine about the world première recording of the 1979 chamber-opera Margaret Catchpole, which tells the story of a Suffolk servant-girl who was deported to Australia for stealing a horse in the late eighteenth century.
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Stephen Dodgson: Margaret Catchpole - Two Worlds Apart
William Wallace (tenor), Nicholas Morris (bass), Kate Howden (soprano), Michael Bundy (bass), Jonathan Hanley (tenor), Mark Saberton (baritone), Robyn Allegra Parton (soprano), Leonora Dawson-Bowling (mezzo-soprano), Alistair Ollerenshaw (baritone), Richard Edgar-Wilson (tenor), Peter Willcock (bass), Diana Moore (mezzo-soprano), Matthew Brook (bass), Jon Stainsby (baritone), Perpetuo, Julian Perkins
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James Newby on I Wonder as I Wander
9th Mar 2021by Katherine Cooper
The young British baritone talks to Katherine about his career to date, and his debut recording of songs by Beethoven, Schubert, Mahler and Britten on BIS.
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New Release Round-Up - 5th March 2021
5th Mar 2021by Katherine Cooper
Elgar from Renaud Capuçon, French piano duets from Paul Lewis and Steven Osborne, a Parisian album from Hilary Hahn, and the world premiere recording of Chaya Czernowin’s opera Heart Chamber.
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Presto Editor's Choices - February 2021
1st Mar 2021by Katherine Cooper
A breathtaking Liszt recital from Benjamin Grosvenor, three electrifying orchestral works by Raymond Yiu, and a highly enjoyable trip to the zoo with Ashley Riches and Joseph Middleton.
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New Release Round-Up - 26th February 2021
26th Feb 2021by Katherine Cooper
Piazzolla from Lucienne Renaudin Vary, Bartók from Thomas Dausgaard, Brahms from Antoine Tamestit and Cédric Tiberghien, and French theatre music from Neeme Järvi.
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Ludovic Tézier sings Verdi
19th Feb 2021by Katherine Cooper
The French baritone is on spine-tingling form in a high-octane programme of arias from operas including La forza del destino, Otello, Don Carlos, and Falstaff.
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New Release Round-Up - 19th February 2021
19th Feb 2021by Katherine Cooper
Liszt from Benjamin Grosvenor, Beethoven from Freiburg, Bach from Francesco Corti and Il Pomo d’Oro, and an homage to Piazzolla from Ksenija Sidorova.
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Jake Heggie and friends on Intonations
18th Feb 2021by Katherine Cooper
Along with violinist Daniel Hope and mezzo Sasha Cooke, the American composer talks to Katherine about his song-cycle, inspired by and written for a group of instruments which survived the Holocaust.