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Offer, In War & Peace
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Harmony Through Music
Joyce DiDonato (mezzo)
Il Pomo d'Oro, Maxim Emelyanychev
Though the top of her voice is wiry under pressure, her coloratura is tightly sprung, her diction is flawless, and her phrasing of the often underrated poetry is sympathetic and sophisticated…Il... — More…
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Monteverdi: Vespri solenni per la festa di San Marco
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Monica Piccinini, Anna Simboli (sopranos), Andrea Arrivabene, Gianluca Ferrarini (altos), Luca Dordolo, Raffaele Giordani (tenors) & Matteo Bellotto, Salvo Vitale (bass)
Concerto Italiano, Rinaldo Alessandrini
Alessandrini’s Monteverdi interpretations resound with passion…a brilliantly conceived, scholastically sound and liturgically plausible sequence, burnished with spiritual sincerity. — More…
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There are some delightfully sparkling and engaging displays here...recordings of Monteverdi's very early madrigals are rare and this surpasses some...if not all. — More…
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Venezia Millenaria (Venice 700-1797)
2 x SACD and book
Le Concert des Nations - Hespèrion XXI, La Capella Reial de Catalunya - Panagiotis, Neochoritis, Jordi Savall
Venezia Millenaria is as kaleidoscopic as the city itself, Venice’s trademark cosmopolitanism reflected in Savall’s augmenting of his home team(s) with Ensemble Panagiotis Neochoritis, and an... — More…
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2 SACDs + Book
$33.75
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Monteverdi: Combattimento
Rolando Villazón, Patrizia Ciofi & Topi Lehtipuu
Le Concert d’Astrée, Emmanuelle Haïm
The atmosphere is electric. Villazón is pouring out Monteverdi’s beautiful lines of remorseful agony with spell-binding force. It’s his first foray into early music, but he tosses off the tricky... — More…
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Monteverdi: L'Orfeo
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Emanuela Galli (La Musica/Eurydice), Mirko Guadagnini (Orfeo), Marina De Liso (Messaggiera), Cristina Calzolari (Proserpina), Matteo Bellotto (Plutone), Josè Lo Monaco (Speranza), Salvo Vitale (Caronte), Vincenzo Di Donato (Apollo), Francesca Cassinari (Ninfa), Giovanni Caccamo (Pastore I), Makoto...
Emanuela Galli (Euridice/La Musica) is splendid in voice and emotion and Mirko Guadagnini (Orfeo) is arresting in the low-lying lamenting sections of Act V but rather dry in the upper range. — More…
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Monteverdi Madrigali Volume 3: Venezia
Les Arts Florissants, Paul Agnew
There is fine singing here, particularly from the bass Lisandro Abadie in Altri canti d’Amour (great richness and clarity) and the contralto Lucile Richardot in Lettera Amorosa (with some stylish... — More…
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Monteverdi: Il ottavo libro de madrigali, 1638 'Madrigali guerrieri et amorosi'
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Concerto Italiano, Rinaldo Alessandrini
This is a sublime example of the madrigalian art. The disc oozes a sense of intelligent poetic response. — More…
