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Monteverdi: Il ritorno d'Ulisse in patria

Furio Zanasi (Ulisse), Lucile Richardot (Penelope), Krystian Adam (Telemaco), Hana Blažíková (Minerva / Fortuna), Gianluca Buratto (Tempo / Nettuno / Antinoo)

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

Monteverdi: Il ritorno d'Ulisse in patria

Awards:

Faced with lots of recitative and practically no arias, singers and players abandon themselves to intense arioso, jazzy cross-rhythms between poetry and continuo, and take-no-prisoners dissonances....

Monteverdi: Il ritorno d'Ulisse in patria

Furio Zanasi (Ulisse), Lucile Richardot (Penelope), Krystian Adam (Telemaco), Hana Blažíková (Minerva / Fortuna), Gianluca Buratto (Tempo / Nettuno / Antinoo)

Monteverdi Choir & English Baroque Soloists, John Eliot Gardiner

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Awards:

Faced with lots of recitative and practically no arias, singers and players abandon themselves to intense arioso, jazzy cross-rhythms between poetry and continuo, and take-no-prisoners dissonances....

About

Monteverdi’s great opera is a celebration of unwavering devotion, conveyed in some of the composer’s most poignant, heart-breaking music.

After two brutal decades of war, the weary Ulysses is washed up on the rocky shore of his home island of Ithaca. There, he discovers the hordes of depraved admirers who have beseiged his faithful wife Penelope in his 20-year absence – and launches into battle to win back her love. Monteverdi’s opera is a celebration of unwavering devotion, conveyed in some of the composer’s most poignant, heartbreaking music.

John Eliot Gardiner leads an exemplary cast of world-class singers alongside the Monteverdi Choir and English Baroque Soloists in this live recording from The National Forum of Music in Wrocław, Poland – part of their critically acclaimed Monteverdi 450 tour in 2017.

Contents and tracklist

Act I: Prologue. Mortal cosa son io
Track length8:59
Act I: Di misera Regina
Track length10:58
Act I: Duri, e penosi
Track length10:53
Act I: Superbo è l'uom
Track length7:23
Act I: In questo basso mondo
Track length3:12
Act I: Dormo ancora, o son desto?
Track length3:52
Act I: Cara e lieta gioventù
Track length12:22
Act I: Tu d'Aretusa al fonte intanto vanne
Track length1:57
Act I: Donate un giorno, o Dei
Track length8:23
Act I: Come mal si salva un regio ammanto
Track length1:49
Act I: Pastor d'armento può
Track length1:51
Act I: Ulisse generoso
Track length2:56
Act II: Sinfonia
Track length0:30
Act II: Lieto cammino
Track length2:01
Act II: O gran figlio d'Ulisse
Track length5:42
Act II: Che veggio, ohimè, che miro?
Track length7:20
Act II: Eurimaco, la donna
Track length2:32
Act II: Sono l'altre Regine
Track length7:00
Act II: All'allegrezze dunque
Track length5:12
Act II: Apportator d'alte novelle vengo
Track length1:11
Act II: Compagni, udiste?
Track length6:31
Act II: Perir non può chi tien per scorta il Cielo
Track length3:04
Act II: Io vidi, o pelegrin, de' Proci amanti
Track length2:02
Act II: Del mio lungo viaggio i torti errori
Track length4:53
Act II: Sempre, villano Eumete
Track length23:19
This track is only available as an album download.
Act III: O dolor, o martir che l'alma attrista
Track length7:07
Act III: Forza d'occulto affetto
Track length2:10
Act III: È saggio Eumete, è saggio!
Track length2:27
Act III: Fiamma è l'ira, o gran Dea
Track length3:28
Act III: Gran Giove
Track length9:29
Act III: Ericlea, che vuoi far?
Track length3:25
Act III: Ogni vostra ragion sen porta 'l vento
Track length0:52
Act III: O delle mie fatiche
Track length9:55

Awards and reviews

  • Gramophone Magazine
    January 2019
    Recording of the Month
  • International Opera Awards
    2019
    Nominated - Complete Opera Recording

January 2019

Faced with lots of recitative and practically no arias, singers and players abandon themselves to intense arioso, jazzy cross-rhythms between poetry and continuo, and take-no-prisoners dissonances. Furio Zanasi, Lucile Richardot and Hana Blažiková bring a depth of acting almost without rival.

January 2019

Recitatives flicker and spark with detail…Instrumental textures are spare and speeds swift, and there’s a welcome sense of narrative drive…Text is king, but it’s the rhetoric of the English Baroque Soloists that really counts…Zanasi is a smooth, patrician Ulisse…There are more classically beautiful accounts of Il ritorno d’Ulisse available, but perhaps none with quite so much life.

March 2019

A superb performance and terrific recording of Monteverdi’s late opera.
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