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Gramophone Awards, Strauss, R (composer)
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Richard Strauss - Vier letzte Lieder and Other Lieder
RecommendedJessye Norman (soprano)
Gewandhausorchester Leipzig, Kurt Masur
[Norman is] grand, impassioned, noble, dignified, unmannered in this unforgettable interpretation —
Awards:
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Gramophone Awards, 1984, Winner - Solo vocal
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Presto Greatest Recordings of the 1980s
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Penguin Guide, Rosette
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Building a Library, July 2019, Also Recommended
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Special offer. Metamorphosen
RecommendedStrauss - Korngold - Schreker
Sinfonia of London, John Wilson
These militant, tightly controlled, sometimes breathtaking performances demand to be heard and may divide opinion. —
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Gramophone Awards, 2022, Finalist - Orchestral
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Presto Recordings of the Year, Finalist 2022
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Special offer. Strauss & Respighi: Violin Sonatas
RecommendedKyung-Wha Chung (violin), Krystian Zimerman (piano)
Awards:
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Gramophone Awards, 1990, Winner - Chamber
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A Golden Cello Decade, 1878-1888
RecommendedSteven Isserlis (cello), Connie Shih (piano), Olivia Jageurs (harp)
No cellist alive can match the eloquent intent of Steven Isserlis’s line. Every phrase he threads through the warm embrace of Connie Shih’s pianism is articulated and ‘breathed’ with the ardour... —
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Presto Recording of the Week, 4th November 2022
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Gramophone Magazine, December 2022, Editor's Choice
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Gramophone Awards, 2023 Finalists, Shortlisted - Chamber
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Strauss: Die Frau ohne Schatten
Stephen Gould (Der Kaiser), Camilla Nylund (Die Kaiserin), Wolfgang Koch (Barak, der Farber), Nina Stemme (Die Farberin), Evelyn Herlitzius (Die Amme), Sebastian Holecek (Geisterbote)
Wiener Staatsoper, Christian Thielemann
Stemme is focussed and expressive, and if Koch sometimes seems underpowered, that is only through comparison to her. Herlitzius is similarly impressive, and she and Stemme are sufficiently distinct... —
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Gramophone Magazine, August 2020, Editor's Choice
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Gramophone Magazine, Critics' Choice 2020
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Gramophone Awards, 2021, Shortlisted - Opera
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Devieilhe decorates Strauss’s ‘Amor’ with diamond bright coloratura and spins a seamless legato throughout. Yet this is preeminently a partnership between pianist and singer. —
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Presto Recording of the Week, 29th March 2024
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Opus Klassik Awards, 2024, Nominated - Female Singer of the Year
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Opus Klassik Awards, 2024, Nominated - Solo Vocal Recording of the Year
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Gramophone Awards, 2024 Shortlist, Shortlisted - Song
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International Classical Music Awards, 2025, Nominated - Vocal Music
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Special offer. Strauss: Ariadne on Naxos
RecommendedSung in English: translation by Christopher Cowell
Christine Brewer (Ariadne/Prima Donna), Robert Dean Smith (Bacchus/The Tenor), Alice Coote (Composer), Gillian Keith (Zerbinetta), Stephen Fry (Major-Domo), Alan Opie (Music Master), John Graham-Hall (Dancing Master/Scaramuccio), Roderick Williams (Harlequin), Matthew Rose (Truffaldino), Wynne Evans...
Brewer's luscious Ariadne had to be captured on disc...There's another essential performance from Alice Coote...with unflinchingly full top notes that few other genuine mezzos possess...I've... —
Awards:
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Sunday Times, 2010, Albums of the Year
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Gramophone Awards, 2011, Shortlisted - Opera
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BBC Music Magazine, December 2010, Opera Choice
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Building A Library, September 2025, Recommended Recording
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this celebration of song is infused with heartfelt joy. —
Awards:
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Gramophone Awards, 2024 Shortlist, Finalist - Song
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Special offer. Strauss, R: Die Frau ohne Schatten
RecommendedHildegard Behrens (Die Färberin), Julia Varady (Die Kaiserin), Plácido Domingo (Der Kaiser), José van Dam (Barak), Reinhild Runkel (Die Amme), Sumi Jo (Stimme des Falken)
Vienna Philharmonic Orchestra, Georg Solti
This was the most ambitious project on which Strauss and his librettist Hugo von Hofmannsthal collaborated. It's both fairy tale and allegory with a score that's Wagnerian in its scale and breadth.... —
Awards:
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Gramophone Awards, 1992, Winner - Opera
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Presto Greatest Recordings of the 1980s
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Penguin Guide, Rosette
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Grammy Awards, 35th Awards (1992), Best Engineered Album, Classical
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Grammy Awards, 35th Awards (1992), Best Opera Recording
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These performers are in their element with pieces that contains hints of a narrative…In general, the Rachmaninov performances are better than those of Duparc where there is sometimes a problem... —
Awards:
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Gramophone Magazine, February 2020, Editor's Choice
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Opus Klassik Awards, 2020, Winner - Newcomer of the Year
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Gramophone Awards, 2020, Shortlisted - Solo Vocal
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