Gramophone Awards, Strauss, R (composer)
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Special offer. Richard Strauss - Vier letzte Lieder and Other Lieder
RecommendedJessye Norman (soprano)
Gewandhausorchester Leipzig, Kurt Masur
[Norman is] grand, impassioned, noble, dignified, unmannered in this unforgettable interpretation —
Awards:
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Gramophone Awards, 1984, Winner - Solo vocal
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Presto Greatest Recordings of the 1980s
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Penguin Guide, Rosette
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Building a Library, July 2019, Also Recommended
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Special offer. Mozart & Strauss: Lieder
RecommendedSabine Devieilhe (soprano), Mathieu Pordoy (piano)
Devieilhe decorates Strauss’s ‘Amor’ with diamond bright coloratura and spins a seamless legato throughout. Yet this is preeminently a partnership between pianist and singer. —
Awards:
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Presto Recording of the Week, 29th March 2024
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Opus Klassik Awards, 2024, Nominated - Female Singer of the Year
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Opus Klassik Awards, 2024, Nominated - Solo Vocal Recording of the Year
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Gramophone Awards, 2024 Shortlist, Shortlisted - Song
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International Classical Music Awards, 2025, Nominated - Vocal Music
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Clair-Obscur
RecommendedStrauss - Berg - Zemlinsky
Sandrine Piau (soprano), Orchestre Victor Hugo Franche-Comté, Jean-François Verdier
Shunning the velvety voluptuousness of a Jessye Norman or the wide-eyed textual probing of a Schwarzkopf, she brings a freshness of perspective that encourages the reconsideration of cherished... —
Awards:
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Presto Recording of the Week, 19th March 2021
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Gramophone Magazine, May 2021, Editor's Choice
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Gramophone Awards, 2021, Shortlisted - Voice & Ensemble
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Vocal
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Special offer. Metamorphosen
RecommendedStrauss - Korngold - Schreker
Sinfonia of London, John Wilson
These militant, tightly controlled, sometimes breathtaking performances demand to be heard and may divide opinion. —
Awards:
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Gramophone Awards, 2022, Finalist - Orchestral
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Presto Recordings of the Year, Finalist 2022
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Special offer. Strauss: Die Frau ohne Schatten
Stephen Gould (Der Kaiser), Camilla Nylund (Die Kaiserin), Wolfgang Koch (Barak, der Farber), Nina Stemme (Die Farberin), Evelyn Herlitzius (Die Amme), Sebastian Holecek (Geisterbote)
Wiener Staatsoper, Christian Thielemann
Stemme is focussed and expressive, and if Koch sometimes seems underpowered, that is only through comparison to her. Herlitzius is similarly impressive, and she and Stemme are sufficiently distinct... —
Awards:
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Gramophone Magazine, August 2020, Editor's Choice
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Gramophone Magazine, Critics' Choice 2020
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Gramophone Awards, 2021, Shortlisted - Opera
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Special offer. Richard Strauss: Orchestral Songs
RecommendedSoile Isokoski (soprano)
Rundfunk-Sinfonieorchester Berlin, Marek Janowski
Strauss singing doesn't come much better than this. No doubt the composer himself, with his love of the soprano voice, would have been enthralled by Isokoski's glorious singing. He might also... —
Awards:
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Gramophone Awards, 2002, Winner - Editor's Choice
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Gramophone Magazine, April 2002, Disc of the Month
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Awards:
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Gramophone Awards, 1990, Winner - Chamber
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Special offer. Strauss, R: Elektra
RecommendedEvelyn Herlitzius (Elektra), Waltraud Meier (Klytämnestra), Adrianne Pieczonka (Chrysothemis), Mikhail Petrenko (Orest), Tom Randle (Aegisth), Franz Mazura (Der Pfleger des Orest)
Coro Gulbenkian & Orchestre de Paris, Esa-Pekka Salonen
Herlitzius as the vengeful daughter is vocally tireless...Chereau exacts similarity intense, realistic performance from Adrianne Pieczonka as Chrysothemis...Other crucial elements in a total... —
Awards:
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BBC Music Magazine, September 2014, DVD/Blu-ray Choice
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Gramophone Awards, 2015, Winner - Opera
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Diapason d’Or de l’Année, 2014, Winner - Opéra
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Strauss, R: Die Frau ohne Schatten
RecommendedHildegard Behrens (Die Färberin), Julia Varady (Die Kaiserin), Plácido Domingo (Der Kaiser), José van Dam (Barak), Reinhild Runkel (Die Amme), Sumi Jo (Stimme des Falken)
Vienna Philharmonic Orchestra, Georg Solti
This was the most ambitious project on which Strauss and his librettist Hugo von Hofmannsthal collaborated. It's both fairy tale and allegory with a score that's Wagnerian in its scale and breadth.... —
Awards:
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Gramophone Awards, 1992, Winner - Opera
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Presto Greatest Recordings of the 1980s
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Penguin Guide, Rosette
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Grammy Awards, 35th Awards (1992), Best Engineered Album, Classical
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Grammy Awards, 35th Awards (1992), Best Opera Recording
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These performers are in their element with pieces that contains hints of a narrative…In general, the Rachmaninov performances are better than those of Duparc where there is sometimes a problem... —
Awards:
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Gramophone Magazine, February 2020, Editor's Choice
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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Opus Klassik Awards, 2020, Winner - Newcomer of the Year
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Gramophone Awards, 2020, Shortlisted - Solo Vocal
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