R. Strauss: Lieder

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What wins this disc the five stars are the facts that Damrau, singing in her native German, is poised ideally between dreamy haze and Schwarzkopfian fussiness...her hallowed pianissimos allow... — BBC Music Magazine, February 2011, 5 out of 5 stars More…

Release Date: 17th Jan 2011
Catalogue No: 6286640
Label: Erato
Length: 66 minutes

Presto Recording of the Week

17th January 2011
Gramophone Awards

2011

Shortlisted - Solo Vocal
BBC Music Magazine

February 2011

Choral & Song Choice

Strauss, R: Brentano Lieder, Op. 68: No. 2, Ich wollt ein Sträußlein binden

Work length3:04

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: Waldseligkeit, Op. 49 No. 1

Work length3:02

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein

Work length1:45

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe

Work length2:50

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: Morgen, Op. 27 No. 4

Work length3:50

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 8, Allerseelen

Work length2:59

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: Cäcilie, Op. 27 No. 2

Work length2:29

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: Brentano Lieder, Op. 68

Work length8:26

$2.60

$3.40

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2009-03-11
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

No. 5, Amor

Track length3:31

$1.30

$1.70

No. 3, Säusle, liebe Myrte!

Track length4:55

$1.30

$1.70

Strauss, R: Freundliche Vision, Op. 48 No. 1

Work length2:32

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2010-03-12
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: 6 Lieder, Op. 17: No. 2, Ständchen

Work length2:20

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2010-03-12
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: 3 Lieder, Op. 29: No. 1, Traum durch die Dämmerung

Work length2:38

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2010-03-12
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: Wiegenlied, Op. 41 No. 1

Work length4:16

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann
Recorded: 2010-03-12
Recording Venue: 11,12,14,15 March 2009 & 12,13 March 2010. Gasteig, Munich

Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde

Work length2:37

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: 3 Gesänge älterer deutscher Dichter, Op. 43: No. 2, Muttertändelei

Work length2:15

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung

Work length1:46

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: 4 Lieder, Op. 36, No. 1 Das Rosenband

Work length2:26

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: 5 Lieder, Op. 15: No. 5, Heimkehr

Work length2:02

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: Brentano Lieder, Op. 68: No. 4: Als mir dein Lied erklang

Work length3:46

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: 5 Lieder, Op. 47: No. 2, Des Dichters Abendgang

Work length5:11

$1.30

$1.70

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

Strauss, R: Brentano Lieder, Op. 68

Work length10:39

$2.60

$3.40

Diana Damrau (soprano)
Münchner Philharmoniker
Christian Thielemann

No. 1, An die Nacht

Track length3:24

$1.30

$1.70

No. 6, Lied der Frauen

Track length7:15

$1.30

$1.70

About
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Recording of the Week, Handel and Strauss from Dessay and Damrau

17th January 2011

Dessay trails her imminent performances of Cleopatra in Giulio Cesare in Paris by recording all of the Egyptian queen’s arias with Le Concert d’Astrée and Emmanuelle Haïm, whilst Damrau is sensual in Strauss Lieder with Christian Thielemann.

“This is a performance of transcendent art” proclaimed Opera News on hearing Diana Damrau’s interpretation of Strauss’ Zerbinetta on her last Virgin Classics album, ‘Coloraturas’. In this collection of Strauss songs, recorded in the composer’s hometown, she is joined by the Munich Philharmonic and Christian Thielemann, the leading German conductor of his generation.

Soprano Diana Damrau, described by The Sunday Times as “the most dazzling star to have emerged from Germany in recent years” was born in Bavaria. The region’s capital, Munich, was the birthplace of Richard Strauss, and in March 2009 a programme of the composer’s songs was presented at the city’s Gasteig Philharmonie, with Damrau accompanied by the Munich Philharmonic Orchestra under its Chief Conductor, Christian Thielemann.

“Strauss loved female voices,” says Damrau, “and he explores some extreme possibilities in these many-layered songs, each with its different point of view. Sensitivity to the words is vital to telling the story of each song, to capturing the rapid changes of mood and all the colours.”

Strauss’ operatic roles for lyric-coloratura soprano, notably Zerbinetta (Ariadne auf Naxos), Aithra (Die Aegyptische Helena) and Sophie (Der Rosenkavalier) have played an important role in Damrau’s career. As Opera News wrote when reviewing her last Virgin Classics album, ‘Coloraturas’: “Zerbinetta … is one of Damrau's calling cards, having served for her stupendous Met debut in 2005. ‘Grossmächtige Prinzessin’ provides every opportunity to dazzle the listener, with stratospheric high notes, staccatos, roulades and trills, as Zerbinetta cajoles, berates and mocks the gloomy Ariadne. Every note and word reveals Damrau's artistry, the result of constantly questioning and probing into the composer's intentions; while the soprano has a knack for concealing or highlighting technical difficulties at will, here just enough self-absorbed delight breaks to the surface that we are as captivated by Zerbinetta's own theatrical skills as by Damrau's vocal athleticism. Damrau/Zerbinetta even seems to be commanding the orchestra's responses to her whimsical, moody outbursts. This is a performance of transcendent art.”

On the new CD, favourites such as ‘Ständchen’, ‘Wiegenlied’, ‘Allerseelen’, ‘Cäcilie’ and ‘Zueignung’ feature alongside more rarely heard numbers, and six tracks recorded under studio conditions now complement the sixteen songs captured live.

Reviews

February 2011

What wins this disc the five stars are the facts that Damrau, singing in her native German, is poised ideally between dreamy haze and Schwarzkopfian fussiness...her hallowed pianissimos allow the exquisite detail Thielemann draws from his Munich players to shine...the ineffable balance between voice and orchestra, subtly assisted by the engineering, is a treat throughout.

April 2011

These songs demand a variety of vocal weights and colours, and Damrau seems to have it all...Thielemann and the Munich Phil revel in the rich orchestral colours and can be as light as air when required...Damrau brings effortless technique, beautiful tone and unfailing musical instinct to these songs.

19th February 2011

When did a German coloratura soprano last handle Richard Strauss’s orchestral songs with such grace and aplomb?...Damrau’s artistry is a combination of vocal noblesse, emotional warmth and instinctive intelligence.

March 2011

she is not merely a fair-weather soprano. Darker shades, more serious tones lie within her expressive scope than one might at first suppose...Familiar songs such as "Ständchen" gain new life with a smiling intimacy of approach in the first verse and an enriched suggestiveness as dusk falls in the third.

January 2011

Always there is delicacy and an absolute respect for the silky legato that Strauss demands from his soloist. Damrau finds drama in these songs too...the songs that demand diamond-bright coloratura, runs and trills to affright a Zerbinetta hold no terrors...Thielemann has a very special affinity with singers. He also coaxes some fine playing from the Munich orchestra.

17th January 2011

She has a formidable technique and hits the high notes with pinpoint accuracy. Her dynamic range is equally impressive and in particular her quiet pianissimos allow Strauss’s wonderful orchestration to make telling contributions. She also has a richness and warmth to her tone which gives these songs the necessary sensual and emotional effect.

30th January 2011

Her singing is consistently accurate and expressive. I particularly liked her 'Traum durch die Dämmerung', which caught the atmosphere of a secret tryst perfectly...She joins the group of younger sopranos such as Angelika Kirchschlager and Anne Schwanewilms among the leading lyric Strauss singers of the day.

30th January 2011

With a creamy-voiced soprano such as Renée Fleming, say, the results could be an excess of musical cholesterol, but Damrau’s diamantine timbre brings a welcome edge to the mix...She’s the leading Strauss soprano of the day, and her singing here shows exactly why.

10th February 2011

there are performances of such favourites as Morgen, Allerseelen and Wiegenlied, where her hovering, silvery soprano is heard to perfection...Not all the orchestrations are by Strauss: Christian Thielemann and the Munich Philharmonic really bring home just how marvellous his own instrumentation sounds when placed beside that of some of the other composers

25th February 2011

This gloriously romantic collection of orchestral settings of Strauss’s songs... shows [Damrau] at her stunning best. Outstanding tracks include Amor, with its airy, witty coloratura, and a magically slow yet gloriously alive Wiegenlied. The accompaniments, as might be expected from Thielemann’s baton, are quite superb.

28th January 2011

Secure in technique, gifted in projecting drama and emotion, Damrau is a peach of a singer...The haunting music; the lyrical voice; the orchestra’s dappled array, with woodwinds curling like climbing roses and violins wafting with fragrant perfume: poesie indeed, in small doses.

Mail on Sunday 30th January 2011

her voice is not ideally voluptuous for Strauss, but she makes up for it by her exceptional musicality, investing every song with meaning, and her clarity of diction. The Munich Philharmonic under Christian Thielemann are splendid partners on a CD that must now be regarded as the best modern introduction to Strauss's songs

R. Strauss: Lieder

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Contents

Recording of the Week, Handel and Strauss from Dessay and Damrau

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