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Latest News: Classical, Deutsche Grammophon (label)

  • Recording of the Week, Miloš plays guitar works by Rodrigo and de Falla

    by Chris O'Reilly

    The Montenegrin guitarist performs Rodrigo’s Concierto de Aranjuez and Fantasia para un Gentilhombre and Falla’s Homenaje a Debussy with Yannick Nézet-Séguin and the London Philharmonic Orchestra.

  • Recording of the Week, Poulenc from Patricia Petibon and Paavo Järvi

    by Katherine Cooper

    The fiftieth anniversary of the composer’s death is marked by outstanding performances of three of his sacred works: the Gloria, Stabat mater, and Litanies à la Vierge*.

  • Recording of the Week, Verdi arias from Anna Netrebko

    by Katherine Cooper

    The Russian soprano marks the composer’s bicentenary with arias and scenes from Don Carlo, Macbeth, Il trovatore, Giovanna d’Arco and I vespri siciliani in a recital which reveals a voice reaching glorious full bloom.

  • Recording of the Week, Claudio Abbado conducts Schumann's Second Symphony

    by James Longstaffe

    On the cusp of his eightieth birthday, Abbado brings the chamber-like qualities of his Mozart recordings to the music of Schumann in performances which are shot through with vivacious sparkle and evident love for the music.

  • Recording of the Week, The Complete Works of Pierre Boulez on Deutsche Grammophon

    by James Longstaffe

    Assembled under the composer’s personal supervision (and featuring many of his own recordings with Ensemble InterContemporain), this 13-CD collection includes several works which have not previously appeared on CD and features fearless pianism from Pierre-Laurent Aimard and Maurizio Pollini.

  • Recording of the Week, Mahler and Berg from Boulez

    by James Longstaffe

    Anna Prohaska is on mesmerising form in Berg’s Lulu-Suite, whilst the veteran conductor’s trademark attention to detail and balance pays huge dividends in Mahler’s early cantata Das klagende Lied, featuring outstanding contributions from Johan Botha, Anna Larsson and Dorothea Röschmann.

  • Recording of the Week, Mozart’s Don Giovanni

    by Katherine Cooper

    Yannick Nézet-Séguin’s project cycle of Mozart’s major operas on Deutsche Grammophon gets off to a scintillating start with a starrily-cast take on ’Il dissoluto punito’, with Ildebrando d’Arcangelo as the eponymous libertine, and Diana Damrau and Joyce DiDonato as Anna and Elvira.

  • Recording of the Week, New Shostakovich discovery - Orango

    by Katherine Cooper

    Esa-Pekka Salonen conducts the world premiere recording of an embryonic opera which Shostakovivch abandoned partway through the Prologue, fleshed out and orchestrated here by Gerard McBurney.

  • Recording of the Week, Bruckner Symphonies from Rattle and Barenboim

    by James Longstaffe

    Daniel Barenboim conducts the Staatskapelle Berlin in the Seventh Symphony, whilst Sir Simon Rattle and the Berliner Philharmoniker tackle the Ninth.

  • Recording of the Week, Schoenberg and Berg

    by James Longstaffe

    Isabelle Faust pairs the Berg and Beethoven violin concertos to great effect with Orchestra Mozart and Claudio Abbado, whilst Pierre Boulez brings breathtaking clarity to Schoenberg’s densely-orchestrated Pelleas et Melisande with the Gustav Mahler Jugendorchester.

  • Recording of the Week, Fritz Kreisler

    by Chris O'Reilly

    Chris enjoys two tributes to the violin virtuoso and composer Fritz Kreisler, who died fifty years ago this month: a 10-CD vintage collection entitled The Charming Maverick and Liebesfreud, Liebesleid, in which his own recordings sit alongside accounts of his music by an array of great modern violinists.

  • Recording of the Week, Gustavo Dudamel

    by Chris O'Reilly

    The young Venezuelan conductor proves himself to be ‘a great musician with sound musical instincts ‘ in live recordings of Bruckner, Sibelius and Nielsen with the Gothenburg Symphony Orchestra.

  • Recording of the Week, Daniel Barenboim plays Chopin and conducts Tchaikovsky

    by Chris O'Reilly

    The pianist joins Andris Nelsons and the Staatskapelle Berlin for the two Chopin piano concertos, and conducts an electrifying Pathétique with the West-Eastern Divan Orchestra, which he co-founded with the late Edward Said.

  • Recording of the Week, Pergolesi's Stabat Mater

    by Chris O'Reilly

    Anna Netrebko and Marianna Pizzolato join Antonio Pappano and the Orchestra dell’ Accademia di Santa Cecilia for an unusually full-blooded account of Pergolesi’s best-known work, plus a chamber cantata apiece.

  • Recording of the Week, Lisa Batiashvili - Echoes of Time

    by Chris O'Reilly

    The Georgian violinist makes her debut on Deutsche Grammophon with a program of works by composers whose lives and music were influenced by political upheaval in the former Soviet Union, including Shostakovich, Kancheli and Pärt.

  • Recording of the Week, Elīna Garanča goes Spanish

    by Chris O'Reilly

    The Latvian mezzo sings the title-role in Bizet’s Carmen from the Metropolitan Opera on DVD, and explores gypsy music still further on her new recital Habanera, which includes music from zarzuela, operetta and musical theatre.

  • Recording of the Week, Bach for Violin and Voice

    by Chris O'Reilly

    Hilary Hahn, Christine Schäfer and Matthias Goerne join forces with the Münchener Kammerorchester for arias from works including the St Matthew Passion, the Mass in B minor and numerous cantatas.

  • Recording of the Week, Vivaldi in a new light

    by Chris O'Reilly

    Daniel Hope directs the Chamber Orchestra of Europe in a programme of music by the ‘Red Priest’, including the ‘Tempesta di mare’ concerto, the ‘La Follia’ sonata, and ‘Andromeda Liberata’, with guest soloist Anne Sofie von Otter.

  • Recording of the Week, Songs her mother taught her

    by Chris O'Reilly

    The Czech mezzo Magdalena Kožená goes back to her roots with a programme of songs by Janacek, Dvorak, Leopold Kozeluch, Petr Eben and others, accompanied with style and sensitivity by Malcolm Martineau.

  • Recording of the Week, Bach Fugues from Onyx and the Emersons

    by Chris O'Reilly

    A British brass quintet and American string quartet (who recently recorded an impressive account of The Art of Fugue) tackle fugues from The Well-Tempered Clavier.