Latest stories
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Kirill Karabits conducts the world premiere of Liszt's Sardanapalo
8th Feb 2019by Katherine Cooper
Reconstructed by the musicologist David Trippett, the single completed act of Liszt's abandoned opera on a subject by Byron reveals what the composer's son-in-law Wagner described as 'the claw of a lion'.
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David Trippett on Liszt's Sardanapalo
8th Feb 2019by Katherine Cooper
The musicologist and driving-force behind today's Recording of the Week talks to Katherine about the mysterious genesis of Liszt's uncompleted opera, and the process of reconstructing the manuscript for performance.
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Paavo Järvi on Sibelius
4th Feb 2019by Katherine Cooper
The Estonian conductor talks to Katherine about recording the first-ever complete set of Sibelius symphonies with a French orchestra during his tenure as Music Director of the Orchestre de Paris.
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Presto Editor's Choices - January 2019
1st Feb 2019by Katherine Cooper
Two startlingly original symphonies by the African-American composer Florence Price, Berlioz laid bare by four hands on a Pleyel, and hot-to-the-touch Schumann from Gautier Capuçon and Martha Argerich.
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Hilary Hahn on Bach
30th Jan 2019by Katherine Cooper
The American violinist talks to Katherine about returning to Bach's solo sonatas and partitas two decades after her debut recording aged 16.
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Berlioz from François-Xavier Roth and Les Siècles
18th Jan 2019by Katherine Cooper
Tabea Zimmermann and Stéphane Degout are the soloists in period-instrument performances of Harold en Italie & Les nuits d'été.
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An unfinished opera by Liszt and other forthcoming highlights
15th Jan 2019by Katherine Cooper
The single completed act of Sardanapalo (premiered just last year in Weimar), plus albums from Paul Lewis, Joyce DiDonato, Steven Isserlis, and Martin Helmchen.
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Ian Bostridge on Requiem: The Pity of War
14th Jan 2019by Katherine Cooper
The tenor talks to Katherine about his recent recording of songs by Mahler, George Butterworth, Rudi Stephan and Kurt Weill with Antonio Pappano, released at the end of October on Warner Classics.
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Theo Adam (1926-2019)
12th Jan 2019by Katherine Cooper
The great German bass, particularly famed for his Wagner roles, has died aged 92.
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Strauss: Die schweigsame Frau
Theo Adam (Sir Morosus), Annelies Burmeister (His Housekeeper), Wolfgang Schöne (The Barber), Eberhard Büchner (Henry Morosus), Jeanette Scovotti (Aminta), Carola Nossek (Isotta), Trudeliese Schmidt (Carlotta), Klaus Hirte (Morbio), Werner Haseleu (Vanuzzi), Helmut Berger-Tuna (Farfallo) & Johannes Kemter (The Parrot) Chor der Staatsoper Dresden & Staatskapelle Dresden, Marek Janowski
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Wolf's Italienisches Liederbuch from Jonas Kaufmann, Diana Damrau and Helmut Deutsch
11th Jan 2019by Katherine Cooper
The German tenor, soprano and pianist have a ball with Wolf's 46 miniatures on love, loss and fickleness, recorded live in concert in Essen last year.
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Jennifer Pike on The Polish Violin
10th Jan 2019by Katherine Cooper
The violinist talks to Katherine about her new album of music by Wieniawski, Szymanowski, Karłowicz and Moszkowski, released last Friday on Chandos Records.
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Presto Editor's Choices - December 2018
31st Dec 2018by Katherine Cooper
Donizetti from Stephen Costello, Mozart from Ensemble Appassionato and Mathieu Herzog, and upscaled Corelli from Gottfried von der Goltz and the Freiburger Barockorchester.
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George Benjamin's Lessons in Love and Violence
28th Dec 2018by Katherine Cooper
The British composer's third opera, based on the downfall of Edward II and starring French baritone Stéphane Degout as the conflicted monarch, has a compact, claustrophobic beauty.
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George Benjamin: Lessons in Love and Violence (DVD)
Stéphane Degout (King), Barbara Hannigan (Isabel), Gyula Orendt (Gaveston/Stranger), Peter Hoare (Mortimer), Samuel Boden (Boy/Young King) Orchestra of The Royal Opera House, George Benjamin, Katie Mitchell
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Carolyn Sampson on Abbandonata
27th Dec 2018by Katherine Cooper
The soprano talks to Katherine about her recording of four of Handel's Italian cantatas, including Armida abbandonata and Agrippina condotta a morire, released on Vivat in October.
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John Andrews on Arthur Sullivan's The Light of the World
20th Dec 2018by Katherine Cooper
The conductor talks to Katherine about the world premiere recording of Sullivan's 1873 oratorio on the life of Christ, which was released last month on Dutton.
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Kaufmann and Damrau sing Wolf and other early 2019 highlights
19th Dec 2018by Katherine Cooper
The German soprano and tenor join forces with Helmut Deutsch for the Italienisches Liederbuch, plus Chopin from Maurizio Pollini, Berlioz from François-Xavier Roth and Les Siècles, Liszt from Boris Giltburg, and Schumann from Gautier Capuçon and friends/family…
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Julian Prégardien on Hans Zender's Winterreise
18th Dec 2018by Katherine Cooper
The German tenor talks to Katherine about recording Zender's 'composed interpretation' of Schubert's great song-cycle, out now on Alpha.
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Stravinsky and Rimsky-Korsakov from Vasily Petrenko and the Liverpool Philharmonic
14th Dec 2018by Katherine Cooper
The Russian conductor presides over sparkling, taut accounts of two avian fairy-tales: the complete ballet music for The Firebird and the suite from the posthumously-premiered opera Le Coq d’Or.
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Alessandro Marangoni on Rossini
12th Dec 2018by Katherine Cooper
The Italian pianist talks to Katherine about his long-term mission to record the composer’s complete piano music (much of it written decades after his early retirement from opera), recently accomplished on Naxos.
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Presto Editor's Choices - November 2018
30th Nov 2018by Katherine Cooper
Schumann from Christian Gerhaher and Gerold Huber, Beethoven from Maxim Emelyanychev and the Nizhny Novgorod Soloists, and Elgar from Sir Mark Elder and the Hallé.