Pentatone
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Handel's Unsung Heroes Iestyn Davies (countertenor), Paul Sharp (trumpet), Christine Rice (mezzo), Roger Montgomery (horn), Joe Walters (horn), Lucy Crowe (soprano), Leo Duarte (oboe), Thomas Gould (violin), Joe Qiu (bassoon), La Nuova Musica, David Bates
This is a stunning collection of Handel opera numbers. For originality, risk-taking and erudition, it towers above its predecessors. It also benefits from its mix of soloists – having chosen... — More…
Awards:
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Presto Editor's Choice, October 2021
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BBC Music Magazine, Christmas 2021, Recording of the Month
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Few, if any, duos are better equipped to take on this mantle than Pierre-Laurent Aimard and Tamara Stefanovich.Aimard’s exceptionally close association with Messiaen and Loriod goes back to... — More…
Awards:
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BBC Music Magazine, December 2022, Instrumental Choice
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Presto Recordings of the Year, Finalist 2022
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Aspromonte’s voluptuous, velvety soprano and vivid diction capture the emotional and rhetorical tensions of works that veer from grief to joy; my one caveat is that her colour palette and dynamic... — More…
Awards:
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Presto Editor's Choice, November 2021
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Gramophone Magazine, February 2022, Editor's Choice
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International Classical Music Awards, 2023, Nominated - Baroque Vocal
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Schoenberg: Transfigured Night & Haydn: Cello Concertos Nos. 1 & 2
RecommendedAlisa Weilerstein (cello)
Trondheim Soloists
In performances of such freshness, verve and chamber transparency, the concept works...You’d go far to find performances of the Haydn concertos that match Alisa Weilerstein’s mix of stylistic... — More…
Awards:
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Presto Recording of the Week, 10th August 2018
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Gramophone Magazine, October 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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Weber: Der Freischütz
RecommendedLise Davidsen (Agathe), Andreas Schager (Max), Sofia Fomina (Ännchen), Alan Held (Kaspar), Markus Eiche (Ottokar), Franz-Josef Selig (Eremit)
Frankfurt Radio Symphony, MDR Leipzig Radio Choir, Marek Janowski
It is carefully done, and due attention is paid to Weber’s inventive score, but the result is frankly pedestrian…There’s good singing here, led by Lise Davidsen’s sweet-toned Agathe, who sings... — More…
Awards:
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Record Review, 26th October 2019, Disc of the Week
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Presto Editor's Choice, October 2019
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Opera
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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John Williams: Violin Concerto No. 1 & Bernstein: Serenade James Ehnes (violin), Saint Louis Symphony, Stéphane Denève
I’ve always admired the modesty and truthfulness of James Ehnes as a player – and you can hear that modesty at work in Phaedrus’s opening address from the Bernstein Serenade. There’s an unfussy... — More…
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Handel: Alcina RecommendedMagdalena Kožená (Alcina), Anna Bonitatibus (Ruggiero), Erin Morley (Morgana), Elizabeth DeShong (Bradamante), Alois Mühlbacher (Oberto), Alex Rosen (Melisso), Valerio Contaldo (Oronte)
Les Musiciens du Louvre, Marc Minkowski
The orchestra plays with fastidious attention to Handel’s ever-changing palette, and its support for the singers – particularly with the obbligatos – is unfailingly sensitive. And the singers... — More…
Awards:
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Presto Recording of the Week, 9th February 2024
3 CDs
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Stravinsky: Perséphone
RecommendedAndrew Staples & Pauline Cheviller
Finnish National Opera, Esa-Pekka Salonen
Orchestral textures are clean yet sensuous, rhythms exactingly precise...In lesser hands, the score can seem episodic. Salonen, however, forges it into a unified drama, in which not a note or... — More…
Awards:
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Presto Editor's Choice, August 2018
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Gramophone Magazine, October 2018, Editor's Choice
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Presto Recordings of the Year, Finalist 2018
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The Guardian Classical Albums of the Year, 2018
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Limelight Magazine Recordings of the Year, 2018, Nominated - Vocal/Choral
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Mozart & Poulenc Double & Triple Piano Concertos Mari Kodama, Momo Kodama, Karin Kei Nagano, Orchestre de La Suisse Romande, Kent Nagano
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It’s abundantly clear that Aimard’s approach to these miniature jewels is entirely suitable and rewarding. He shapes and shades the notes with poise and subtle inflections, yet nothing becomes... — More…
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