Richter is still early in her career, yet demonstrates astonishing versatility, insight and intelligence in this programme of Schubert songs. Gerold Huber’s extensive experience as an accompanist is revealed as he draws the tenderest sounds from his piano without ever descending into mawkish exaggeration. Both artists know how to stretch time, bearing us expertly on the ebb and flow of Schubert’s music.

This is an accomplished and fresh recital from Richter, together with a supportive and effective accompaniment from Gerold Huber. Her lyric soprano easily manages the demands of these emotive songs, including a bit of steeliness when the occasion calls for it. The sound is clean and clear. Recommended for all those that are interested a fresher approach to these mostly oft-recorded songs of Schubert.

Richter’s pure, vernal soprano, care for words and supple, expressive phrasing are well-nigh ideal…Der Zwerg and Totengräbers Heimweh are anything but natural territory for a light lyric soprano. Yet in both songs her musical intelligence and dramatic use of the text go far to compensating for a lack of tonal depth. A delectable recital from a young soprano whose combination of vocal freshness and unforced expressiveness make her a natural in Schubert.