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Rachmaninoff: The Bells & Symphonic Dances

Dmytro Popov (tenor), Kristina Mkhitaryan, Alexander Vinogradov (bass), Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Karina Canellakis

Canellakis is happy to let things expand when - well, when you just want to wallow in the sheer warm-bath melancholic sumptuousness of the writing. Yet she's able to find the line that holds...

Rachmaninoff: The Bells & Symphonic Dances

Dmytro Popov (tenor), Kristina Mkhitaryan, Alexander Vinogradov (bass), Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Karina Canellakis

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Canellakis is happy to let things expand when - well, when you just want to wallow in the sheer warm-bath melancholic sumptuousness of the writing. Yet she's able to find the line that holds...

About

SPARKLING BELLS AND EXUBERANT DANCES: KARINA CANELLAKIS RENDERS IN SWEEPING ORCHESTRAL COLOURS

The Netherlands Radio Philharmonic Orchestra and Netherlands Radio Choir, under Chief Conductor Karina Canellakis, present Rachmaninoff: The Bells & Symphonic Dances, a powerful and deeply expressive interpretation of these late masterpieces by Sergei Rachmaninoff. In The Bells, radiant choral textures and richly coloured orchestration trace a journey from youthful shimmer and lyrical warmth to ominous tolling, overwhelming drama and a final vision of serene transcendence. The outstanding soloists - Dmytro Popov, Kristina Mkhitaryan and Alexander Vinogradov - bring vocal brilliance and emotional depth, while the choir illuminates the text with clarity and a glowing, golden sound. In Symphonic Dances, rhythmic vitality and earthy drive give way to moments of nostalgia and introspection, culminating in a bold and exhilarating finale that captures the composer’s unmistakable voice in his final orchestral work.

Internationally acclaimed for her emotionally charged performances, technical command and interpretative depth, Canellakis has become one of the most in-demand conductors of her generation. She returns to PENTATONE as Chief Conductor of the Netherlands Radio Philharmonic Orchestra, further expanding a recording partnership that began with GRAMMY-nominated Bartók: Concerto for Orchestra (2023) and continued with Bartók: Duke Bluebeard’s Castle (2025).

Contents and tracklist

I. Allegro, ma non tanto
Track length6:47
II. Lento
Track length10:38
III. Presto
Track length8:51
IV. Lento lugubre
Track length11:21
I. Non Allegro
Track length11:58
II. Andante con moto (tempo di Valse)
Track length10:03
III. Lento assai - Allegro vivace
Track length14:22

Awards and reviews

July 2026

Canellakis is happy to let things expand when - well, when you just want to wallow in the sheer warm-bath melancholic sumptuousness of the writing. Yet she's able to find the line that holds everything together, even in the last of the Symphonic Dances...This is one to savour.

August 2026

The Bells is for me the better of the two performances here, which is not to underestimate Karina Canellakis's prowess in this repertoire but rather to acknowledge that on the day the added dimension of words and voices unlocked something really vital in these forces.

The American conductor Karina Canellakis, chief conductor of the Netherlands Radio Philharmonic Orchestra since 2019, is in total sympathy with her band here. Colouring, rhythms, phrasing: all are shapely and vivid. It helps, of course, that the music is equally lively: Rachmaninov’s mid-career setting of Edgar Allan Poe’s poem The Bells and his final American masterpiece, the Symphonic Dances.
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