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CD, Holborne (composer)
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the result is coherently put together, with Hughes's resourceful vocal imagination and use of tone, plus the subtlety and careful placement of her decorations, drawing the ear again and again. —
Awards:
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Gramophone Magazine, March 2026, Editor's Choice
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The general tone is meditative, but by using a range of keyboards and including some unexpected sounds along the way, Gallon ensures we are never tempted to nod off. —
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This third instalment in Capella de la Torre’s series of the four elements is every bit as fresh and thoughtful as one would expect from one of Europe’s leading early wind ensembles...This enjoyable... —
Awards:
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Opus Klassik Awards, 2020, Nominee - Instrumentalist of the Year
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An Elizabethan Christmas
RecommendedByrd, Holborne, Gibbons, Peerson, Weelkes
Helen Charlston (mezzo-soprano), Emma Walshe (soprano), Lucy Cox (soprano), Amy Lyddon (vocalist), Guy Cutting (tenor), Malachy Frame (baritone), Edmund Saddington (bass-baritone), Fretwork, Richard Boothby
The songs are interspersed with short instrumental pieces, including two genial fantasies ‘for ye great dooble bass’ by Gibbons. All are played with Fretwork’s typical attunement to the sensibilities... —
Awards:
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Presto Recording of the Week, 3rd December 2021
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In variation-based pieces, cornetist Glenton, keyboardist Silas Wollston and violinist Bojan Cicic pull material out of nowhere, like magicians…Keeling’s four-movement Northern Soul redeems... —
Awards:
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Presto Recordings of the Year, Finalist 2018
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Special offer. Terpsichore: Renaissance and Early Baroque Dance Music
Konrad Ragossnig (lute), Siegfried Fink (drums/tambourine), Sebastian Kelber (recorder), Elza Van Der Ven (regal), Dieter Kirsch (lute), Siegfried Fink (drum)
Ulsamer Collegium, Josef Ulsamer
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This musical kaleidoscope turns through dark hued reflections and light-filled reveries...Technically, the Rose Consort is well-nigh flawless, and these restrained, refined readings, informed... —
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