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Nocturnal
Jakob Lindberg (lute)
Throughout the SACD Lindberg proves (as if he needed to!) that he is a sympathetic and perceptive interpreter of the lute music of the Renaissance. This is an outstanding, treasure of an album....
Nocturnal
Jakob Lindberg (lute)
Purchase product
Throughout the SACD Lindberg proves (as if he needed to!) that he is a sympathetic and perceptive interpreter of the lute music of the Renaissance. This is an outstanding, treasure of an album....
About
One of today’s foremost exponents of his instrument, Jakob Lindberg arrived at the lute by way of the guitar and played both for several years. When he decided to devote himself exclusively to the historic lute repertoire it was with some regret that he gave up his first love. During his last year with the modern guitar Lindberg was working on Benjamin Britten’s Nocturnal after John Dowland, one of the seminal guitar works of the 20th century. Much later, when he learned that Britten had originally had in mind to compose a piece for the lute, he started to experiment playing sections of Nocturnal on his Renaissance lute, and soon decided to make a transcription of the complete work.
Nocturnal is based on John Dowland’s four-part song Come, Heavy Sleep, and inspired by this, Jakob Lindberg has placed it as the centre piece of a recital with mostly Elizabethan pieces, many of which also evoke aspects of the night. Dowland himself is represented by a selection of six lute solos, while the opening section consists of five pieces by Dowland’s older colleague Anthony Holborne. The closing track is by Holborne’s contemporary, John Johnson, and bids the listener Good Night and Good Rest.
Contents and tracklist
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Awards and reviews
October 2018
Throughout the SACD Lindberg proves (as if he needed to!) that he is a sympathetic and perceptive interpreter of the lute music of the Renaissance. This is an outstanding, treasure of an album. The music, as interpreted by Lindberg, is full of details and subtleties which engage and reward a mind wide awake. All who love the lute should hear this album and, on doing so, will, I suspect, want to own it.
Guitar Player Awards Issue 2018
It’s Lindberg’s playing, subtle and penetrating, as he so successfully teases out that peculiar melancholy Dowland and Britten clearly shared. This is a wholly new vision of a masterpiece.