Browse: CD, Falla (composer)
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Miloš Karadaglić (guitar)
London Philharmonic Orchestra, Yannick Nézet-Séguin
Miloš Karadaglić has a feather-light touch, honeyed tone and warm bass. Musical details are well thought through, and - like a good pianist pedalling - he knows when, and how long, to let notes... — More…
Martha Argerich (piano), Renaud Capuçon (violin), Sergey Babayan (piano), Sergio Tiempo (piano), Karin Lechner (piano), Nicholas Angelich (piano)
David Guerrier, horn
violino, Tedi Papavrami (violin)
piano, Stephen Kovacevich (piano)
Orchestra della Svizzera...
This is the last of Warner’s annual gleanings from the Lugano Festival at which Martha Argerich presides - and definitely the most exciting. She may be 76, but her playing has lost none of its... — More…
Arthur Rubinstein (piano)
RCA Victor Orchestra, London Philharmonic Orchestra, New Symphony Orchestra of London, Symphony of the Air, Boston Symphony Orchestra, Philadelphia Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, Alfred Wallenstein, Josef Krips, Daniel Barenboim, Stanislaw...
Jean-Efflam Bavouzet (piano), Raquel Lojendio (soprano)
BBC Philharmonic, Juanjo Mena
one of those experiences that change one's perception of a work forever...At the most basic level they take the trouble to get the balance right. ['Nights'] is no concerto, and the pianist has... — More…
Steven Osborne (piano)
BBC Scottish Symphony Orchestra, Ludovic Morlot
Full of colour, both Osborne’s poetry and his exceptional touch are to the fore, the sparkling cascades in the final movement being especially breathtaking…strong performances of a programme... — More…
Fritz Kreisler (violin), Thomas Petre (violins), William Primrose (viola), Laurie Kennedy (cello), with Franz Rupp (piano), with Michael Raucheisen (piano), with Arpád Sándor (piano)
Berlin State Opera Orchestra, London Philharmonic Orchestra, Royal Albert Hall Orchestra, Sir Landon Ronald,...
Listening to these recordings today you can hear his remarkable sound – characterised by an almost constant, but varied vibrato. He tended to avoid using his fourth finger in order to maintain... — More…