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Browse: Kirill Karabits (conductor)
This page lists all recordings conducted by Kirill Karabits.
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Liszt: Sardanapalo
RecommendedJoyce El-Khoury (Mirra), Airam Hernández (King), Oleksandr Pushniak (Beleso)
Weimar Staatskapelle, Kirill Karabits
The torso of Liszt’s Sardanapalo may only last around 50 minutes, but it packs in such a richness of gratification that it is hard to see where the opera would have gone from there...The music... — More…
Awards:
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Gramophone Magazine, February 2019, Editor's Choice
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Presto Recording of the Week, 8th February 2019
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Diapason d’Or, September 2019, Découverte
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Assorted Program
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These works sound as if written at the turn of the 20th century, certainly by an admirer of Scriabin’s Divine Poem. Both, in fact, date from the 1950s…The Bournemouth Symphony play the music... — More…
Awards:
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Gramophone Magazine, January 2019, Editor's Choice
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International Classical Music Awards, 2019, Nominee - Symphonic Music
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Shostakovich: Symphony No. 13 'Babi Yar'
RecommendedOleg Tsibulko (bass)
Russian National Orchestra, Kirill Karabits
This beautifully engineered studio recording under Kirill Karabits has all the necessary adrenaline to keep the listener fully engaged. Karabits is particularly effective in negotiating the tricky... — More…
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Presto Recording of the Week, 17th July 2020
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Liszt: Dante Symphony, Künstlerfestzug; Tasso
RecommendedStaatskapelle Weimar, Knabenchor der Jenaer Philharmonie, Damen des Opernchores des Deutschen Nationaltheaters Weimar, Kirill Karabits
Karabits and the Staatskapelle offer powerful and well-balanced accounts, taking the works on their own terms and drawing out the best they have to offer…In the Symphony’s Magnificat, the two... — More…
Awards:
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Presto Recording of the Week, 24th January 2020
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Diapason d’Or, April 2020, Nouveauté
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Presto Recordings of the Year, Finalist 2020
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Programme quibbles aside, Braunstein plays with slim, wiry tone, zipping along in the concerto neatly. — More…
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Nicola Benedetti plays Shostakovich & Glazunov Violin Concertos
Nicola Benedetti (violin)
Bournemouth Symphony Orchestra, Kirill Karabits
After the brief foreboding orchestral introduction of the Shostakovich, Nicola Benedetti steals in quietly, with white, focused tone that continues the mood…this approach is very effective, helped... — More…
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Benedetti's decision to place [the Concerto] in this particular context actually serves to enhance its musical stature. Certainly her performance is beautifully honed with a particularly atmospheric... — More…
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One notoriously tricky passage after another…is brought off with top-flight panache and accuracy…Brilliant precision in the Scherzo, successful avoidance of over-emotive juice-extraction in the... — More…
Awards:
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Presto Recordings of the Year, Finalist 2017
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Building A Library, July 2022, Also Recommended
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Karabits, supported by the Bournemouth Symphony Orchestra's outstandingly responsive playing, gives an utterly compelling account of the Third...Karabits's performance of No. 7, with both its... — More…
Awards:
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Gramophone Magazine, June 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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[Karabits] manages to give the [Fourth Symphony] greater structural coherence through a sharper delineation of moods in each of the four movements. The Bournemouth Symphony Orchestra is exceptionally... — More…
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