LSO Live
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Sir John Eliot Gardiner conducts Mendelssohn & Schumann
RecommendedMaria João Pires (piano)
London Symphony Orchestra, Sir John Eliot Gardiner
[Pires] has the enviable ability to make everything sound fresh but natural, and her tone is enchanting...The definition on [the Blu-ray] is superb and the camera work actually helps the viewer... — More…
Awards:
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Presto Recording of the Week, 20th October 2014
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Gramophone Magazine, January 2015, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Presto Favourites, Recommended Recording
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this performance from last year with the London Symphony Orchestra on stupendous form seems to mark a pitch of understanding and communication which it wouldn't be possible to surpass. There... — More…
Awards:
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Gramophone Magazine, April 2014, Editor's Choice
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Gramophone Awards, 2014, Shortlisted - Orchestral
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Presto Recordings of the Year, Finalist 2014
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Stravinsky: Oedipus Rex & Apollon Musagète
RecommendedJennifer Johnston (Jocasta), Stuart Skelton (Oedipus), Gidon Saks (Creon) & Fanny Ardant (narrator)
Gentlemen of the Monteverdi Choir & London Symphony Orchestra, Sir John Eliot Gardiner
Johnston's superb interpretation lifts the whole performance up a couple of notches...But John Eliot Gardiner's conducting somehow misses the work's elusive power. — More…
Awards:
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Presto Recording of the Week, 7th April 2014
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Building a Library, May 2018, Recommended Recording
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Gardiner [goes] all out for visceral sensation. The London performances bring the music most readily to life. — More…
Awards:
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Presto Recording of the Week, 20th September 2019
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International Classical Music Awards, 2019, Nominee - Symphonic Music
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Verdi: Falstaff
RecommendedMichele Pertusi (Falstaff), Carlos Alvarez (Ford), Bülent Bezdüz (Fenton), Ana Ibarra (Alice Ford), Maria Josè Moreno (Nannetta), Jane Henschel (Mistress Quickly), Marina Domashenko (Meg Page)
London Symphony Orchestra & Chorus, Sir Colin Davis
By all accounts the performances at the Barbican were among the most enjoyable of their kind in London for a long time, and certainly the enjoyment comes across on disc. The 'how' of it isn't... — More…
Awards:
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Building a Library, April 2016, Also Recommended
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Gramophone Magazine, November 2004, Editor's Choice
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Grammy Awards, 48th Awards (2005), Best Opera Recording
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Offer,
Mozart: Wind Concertos Timothy Jones (horn), Olivier Stankiewicz (oboe), Andrew Marriner (clarinet), London Symphony Orchestra, Jaime Martín
You would expect the principal woodwind players of a team in the London Symphony Orchestra’s league to perform at stellar technical level. Even more striking, and highly appealing besides, is... — More…
Awards:
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Presto Editor's Choice, November 2021
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BBC Music Magazine, January 2022, Concerto Choice
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there are wonders to behold here and you can sense and feel the magic descending in the stealthy opening measures of The Firebird. — More…
Awards:
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Record Review, 16th April 2022, Record of the Week
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International Classical Music Awards, 2023, Nominated - Symphonic Music
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Verdi: Otello
RecommendedSimon O’Neill (Otello), Gerald Finley (Iago), Anne Schwanewilms (Desdemona), Allan Clayton (Cassio), Ben Johnson (Roderigo), Alexander Tsymbalyuk (Lodovico), Matthew Rose (Montano), Lukas Jakobski (Herald) & Eufemia Tufano (Emilia)
London Symphony Orchestra & Chorus, Sir Colin Davis
everything contributes to accentuating extremes: Colin Davis gets the LSO, in shattering form, to play chords like cannon shots...The two male leads are superb: Simon O'Neill is the most complete... — More…
Awards:
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Presto Recording of the Week, 1st November 2010
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Gramophone Awards, 2011, Finalist - Opera
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Gramophone Magazine, November 2010, Editor's Choice
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New,
Britten: Spring Symphony, Sinfonia da Requiem, the Young Person's Guide To the Orchestra Elizabeth Watts (soprano), Alice Coote (mezzo), Allan Clayton (tenor), London Symphony Orchestra, Sir Simon Rattle
It is a fine, taut reading [of the Spring Symphony] with some superb singing by all concerned, swifter than some rivals, in the finale a shade too much so, with some muddy articulation. — More…
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Debussy: Pelléas et Mélisande
RecommendedChristian Gerhaher (Pelléas), Magdalena Kožená (Mélisande), Bernarda Fink (Geneviève), Franz-Josef Selig (Arkel), Gerald Finley (Golaud), Elias Mädler (Yniold), Joshua Bloom ((Shepherd/Doctor)
London Symphony Orchestra, Sir Simon Rattle
Kožená’s Melisande has a firm streak of red-blooded coquettish defiance that is effective, even if it belies the character’s customary blanched fragility. Christian Gerhaher’s Pélleas is similarly... — More…
Awards:
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Presto Recording of the Week, 13th October 2017
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Presto Recordings of the Year, Finalist 2017
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Gramophone Magazine, December 2017, Editor's Choice
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Gramophone Awards, 2018, Finalist - Opera
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Opus Klassik Awards, 2018, Winner - Opera Recording (20th/21st century)
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Limelight Magazine Recordings of the Year, 2018, Nominated - Opera
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