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Berlioz: Roméo et Juliette, Op. 17

Olga Borodina (mezzo-soprano), Kenneth Tarver (tenor), Evgeny Nikitin (bass)

London Symphony Orchestra, London Symphony Chorus & Guildhall School Singers, Valery Gergiev

Berlioz: Roméo et Juliette, Op. 17

Awards:

Gergiev, in this live account, inclines towards operatic fire and pace, occasionally headlong, but with a clarity and hushed, atmospheric pianissimo finely captured by the spacious SACD recording.

Berlioz: Roméo et Juliette, Op. 17

Olga Borodina (mezzo-soprano), Kenneth Tarver (tenor), Evgeny Nikitin (bass)

London Symphony Orchestra, London Symphony Chorus & Guildhall School Singers, Valery Gergiev

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This release includes a digital booklet

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Awards:

Gergiev, in this live account, inclines towards operatic fire and pace, occasionally headlong, but with a clarity and hushed, atmospheric pianissimo finely captured by the spacious SACD recording.

About

Released in the year of Shakespeare’s 400th anniversary, Valery Gergiev and London Symphony Orchestra are joined by soloists Olga Borodina, Kenneth Tarver and Evgeny Nikitin for Berlioz' 'Roméo et Juliette', recorded live at the Barbican Hall in November 2013. Part of a major series of eight concerts, this work toured to venues in the Czech Republic, Germany, Austria and France. A large-scale ‘symphonie dramatique’, 'Roméo et Juliette' was the fruit of the composer’s dual fascination with Shakespeare and with the actress Harriet Smithson, whom he was later to marry. Using the story of the star-crossed lovers as a starting point, Shakespeare’s passion and drama is deftly portrayed through his music, as well as through the abundance of lyrical poetry, written by French poet Émile Deschamps.

Grammy-award winning mezzo-soprano Olga Borodina is a star of the Mariinsky Theatre, regularly appearing at major opera houses and with great orchestras around the world. Borodina made her highly acclaimed European debut at Covent Garden, in 1992, sharing the stage with Plácido Domingo in 'Samson et Dalila' – a performance that launched her international solo career as one of the most sought after mezzos for her repertoire.

Kenneth Tarver is considered one of the outstanding tenore-di-grazia of his time. He has appeared at the most prestigious opera houses and concert halls around the world specialising in Mozart and challenging, oratorio repertoire. He has appeared on previous LSO Live recordings, notably 'Les Troyens' conducted by Sir Colin Davis. Bass-baritone Evgeny Nikitin trained at the St Petersburg State Conservatory, graduating in 1997. He has been described as "physically, vocally, a complete star" by The Independent. His first solo performances were with the Mariinsky Orchestra and have been followed by invitations to perform across the world. His discography includes other recordings with Valery Gergiev, including 'Parsifal' on the Mariinsky Label.

Contents and tracklist

No. 1, Introduction. Combats - Tumulte - Intervention du Prince
Track length4:39
No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies"
Track length4:32
No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!"
Track length6:59
No. 1, Prologue. Récitatif et Scherzetto "Bientôt de Roméo"
Track length2:59
Roméo et Juliette, Op. 17, H. 80, Pt. 2: No. 2, Roméo seul - Tristesse - Bruit lointain de bal et de concert - Grande Fête chez Capulet
Track length12:14
Roméo et Juliette, Op. 17, H. 81, Pt. 2: No. 3, Scène d'amour. Nuit sereine - Le Jardin de Capulet, silencieux et désert "Ohé! Capulets, bonsoir!"
Track length17:48
This track is only available as an album download.
Roméo et Juliette, Op. 17, H. 82, Pt. 2: No. 4, Scherzo. La Reine Mab, ou la Fée des Songes
Track length7:52
Roméo et Juliette, Op. 17, H. 83, Pt. 3: No. 5, Convoi funèbre de Juliette "Jetez des fleurs pour la vierge expirée!"
Track length9:25
Roméo et Juliette, Op. 17, H. 84, Pt. 3: No. 6, Roméo au tombeau des Capulets, Invocation - Réveil de Juliette
Track length7:14
Roméo et Juliette, Op. 17, H. 85, Pt. 3: No. 7, Final. La foule accourt au cimetière - Rixe des Capulets et des Montagus "Quoi! Roméo de retour" - Récitatif du Père Laurence "Je vais dévoiler le mystère"
Track length3:52
Roméo et Juliette, Op. 17, H. 86, Pt. 3: No. 7, Final. Air du Père Laurence "Pauvres enfants que je pleure"
Track length8:21
Roméo et Juliette, Op. 17, H. 87, Pt. 3: No. 7, Final. Serment de réconciliation "Jurez donc, par l'auguste symbole"
Track length4:25

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    8th July 2016

October 2016

Gergiev, in this live account, inclines towards operatic fire and pace, occasionally headlong, but with a clarity and hushed, atmospheric pianissimo finely captured by the spacious SACD recording.

October 2016

Gergiev is still on bold ground here. He does nothing to efface David’s legacy, and one can even hear echoes of the late master’s characteristic warmth in ‘Romeo seul’ … try the flutes of Adam Walker and Alex Jakeman in the love scene, descending like cherubs, or Andrew Marriner’s sublime clarinet entry as Juliet arises from her slumber, barely audible, barely breathed, a quiet ray of hope.

8th July 2016

The centrepiece of the work is the Scène d'amour, and the LSO strings play with absolutely ravishing tone here: hushed and barely audible one moment, ardently surging the next. I think it's here that Gergiev's experience in the opera house really comes into play, as he knows just how to pace a long dramatic stretch like this one...[at the end] Gergiev strikes just the right note of noble optimism without spilling over into vulgarity.

27th July 2016

Gergiev directs a red-hot performance here with the LSO and London Symphony Chorus, augmented by the fresh-sounding Guildhall School Singers (as semi-chorus), with soloists Olga Borodina (mezzo-soprano), Kenneth Tarver (tenor) and bass-baritone Evgeny Nikitin. It’s a strong team performance, driven by earthy passion.
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