Instrumental, Piano Solos, Piano Sonatas, Prokofiev (composer)
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A supremely intelligent, deeply feeling artist of the first order. —
Awards:
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Gramophone Magazine, December 2018, Editor's Choice
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Gramophone Awards, 2019, Winner - Instrumental
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Grammy Awards, 62nd Awards (2019), Nominee - Best Classical Instrumental Solo
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From first electrifying note-punch to last, with so much poetry and poignancy in between, this is a tour de force of pianism highlighting what seems more than ever like the great sonata sequence... —
Awards:
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Gramophone Magazine, February 2020, Editor's Choice
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Record Review, 8th February 2020, Record of the Week
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BBC Music Magazine, March 2020, Recording of the Month
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Gramophone Awards, 2020, Finalist - Instrumental
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BBC Music Magazine Awards, 2021, Winner - Instrumental
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This is certainly a golden age collection from Trifonov, and it’s admirable that these two discs are always more about the music than about him...If I were to choose a compendium of Russian... —
Awards:
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Presto Recording of the Week, 6th November 2020
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Presto Recordings of the Year, Finalist 2020
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BBC Music Magazine, January 2021, Recording of the Month
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Opus Klassik, 2021, Instrumentalist of the Year
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Prepare to be astonished. Even allowing for the huge technical standards taken for granted today, Ivan Bessonov’s verges on phenomenal. He draws a beautifully rounded sound from the Steinway... —
Awards:
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BBC Music Magazine, May 2021, Instrumental Choice
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Presto Editor's Choice, April 2021
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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Prokofiev - Piano Concertos Nos. 2 & 3
Freddy Kempf (piano)
Bergen Philharmonic Orchestra, Andrew Litton
With this disc, Freddy Kempf shoots straight into the top ten of Prokofiev interpreters...[He] keeps it all spruce and plays it relatively straight...The big Rachmaninov tune in the finale [of... —
Awards:
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Gramophone Awards, 2010, Finalist - Concerto
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Gramophone Magazine, May 2010, Editor's Choice
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Avdeeva reveals her finest qualities as an interpreter in Prokofiev’s monumental Eighth Sonata. The opening is flexible yet tense, never too personal, imbued with a subtle undercurrent of apprehension —
Awards:
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International Classical Music Awards, 2024, Nominated - Solo Instrument
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There's a sense of rock-solid communication between soloist and conductor - and, as a result, with the orchestra, here the Philharmonia. The orchestral colours are fresh, the ensemble tight.... —
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Special offer. Emil Gilels plays Brahms, Debussy & Prokofiev
Emil Gilels (piano)
Kolner Rundfunk-Sinfonie-Orchester, Mario Rossi
The characteristics of the [Brahms] performance are nobility and breadth...Despite the existence of the Jochum, this Rossi-conducted performance is still a worthwhile acquisition for Gilels... —
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Bibileishvili displays admirable versatility in both technique and temperament. There are no flashy gimmicks, and her emotional sincerity shines through not just the more transparent episodes... —
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one of the top pianists of our time…[Melnikov’s interpretations] are in a class of their own…given perfect clarity of inner lines and a refusal to lose intellectual grip even on the most tornado-like... —
Awards:
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BBC Music Magazine, Disc of the month
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