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Daniil Trifonov - Silver Age

Scriabin - Stravinsky - Prokofiev

Daniil Trifonov (piano)

Daniil Trifonov - Silver Age

Awards:

This is certainly a golden age collection from Trifonov, and it’s admirable that these two discs are always more about the music than about him...If I were to choose a compendium of Russian...

Daniil Trifonov - Silver Age

Scriabin - Stravinsky - Prokofiev

Daniil Trifonov (piano)

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This release includes a digital booklet

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Awards:

This is certainly a golden age collection from Trifonov, and it’s admirable that these two discs are always more about the music than about him...If I were to choose a compendium of Russian...

About

Daniil Trifonov pays homage to music created during a pivotal period in Russian history

Daniil Trifonov’s new album, Silver Age , recorded with Valery Gergiev and the Mariinsky Orchestra, recalls a time when Russia’s composers, poets, artists, dramatists and star performers were among the most original anywhere in the world. It illustrates the artistic audacity and brilliance of a turbulent era in the country’s history with works by three of its most pioneering composers: Scriabin’s Concerto for Piano and Orchestra in F sharp minor Op.20, Prokofiev’s Piano Concerto No.2 in G minor Op.16 and Stravinsky’s Three Movements from Petrushka . The tracklist also comprises Stravinsky’s Serenade and excerpts from the composer’s piano suite version of The Firebird , together with Prokofiev’s Sarcasmes Op.17, Piano Sonata No.8 in B flat major Op.84 and the “Gavotte” from Cinderella Op.95 No.2

Daniil Trifonov’s choice of music mirrors the inventive variety of this brief but explosive cultural moment. “ Scriabin ,” he notes, “wished to combine all aesthetic experience in a single, mystical, musical vision; Stravinsky unified the arts through a radical re interpretation of ballet; Prokofiev , meanwhile, embraced cinema as the most complete and modern synthesis of the senses.”

Having paved the way for future artistic achievements, the spirit of Russia’s Silver Age is justly celebrated in these new recordings.

“All credit to the young Russian virtuoso pianist Daniil Trifonov for beginning his artist in residence season at the New York Philharmonic … with a scintillating account of this Scriabin rarity … [He] played with an uncanny balance of tenderness and flair: call it soft spoken virtuosity.” New York Times , 28 November 2019

Contents and tracklist

I. Hymn
Track length2:47
II. Romance
Track length3:15
III. Rondoletto
Track length2:46
IV. Final Cadence
Track length3:07
I. Tempestoso
Track length2:05
II. Allegro rubato
Track length1:40
III. Allegro precipitato
Track length1:44
IV. Smanioso
Track length3:07
V. Precipitosissimo
Track length3:57
I. Andante dolce
Track length15:05
II. Andante sognando
Track length4:20
III. Vivace
Track length9:42
II. Gavotte
Track length3:08
I. Danse infernale du Roi Kastchei (Transc. by Guido Agosti)
Track length5:09
II. Berceuse (Transc. by Guido Agosti)
Track length3:59
III. Finale (Transc. by Guido Agosti)
Track length3:45
I. Andantino
Track length11:52
II. Scherzo. Vivace
Track length2:31
III. Intermezzo. Allegro moderato
Track length6:55
IV. Finale. Allegro tempestoso
Track length11:12
I. Danse russe
Track length2:36
II. Chez Petrouchka
Track length5:08
III. La semaine grasse
Track length10:14
I. Allegro
Track length7:19
IIa. Andante
Track length1:31
IIb. Variation 1
Track length1:22
IIc. Variation 2
Track length0:32
IId. Variation 3
Track length1:29
IIe. Variation 4 - Tempo 1. Andante
Track length2:38
III. Allegro moderato
Track length10:16

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    6th November 2020
  • BBC Music Magazine
    January 2021
    Recording of the Month
  • Opus Klassik
    2021
    Instrumentalist of the Year

January 2021

This is certainly a golden age collection from Trifonov, and it’s admirable that these two discs are always more about the music than about him...If I were to choose a compendium of Russian (mostly) 20th-century works for solo piano and piano-with-orchestra, this would be close...Each interpretation is at the very top of the list...I learned new things about every work here, but the way Trifonov makes every moment live is simply astonishing.

December 2020

These are two exceptional discs in many ways. The Scriabin Concerto seems to me particularly successful, because Trifonov has a fine instinct for its ebb and flow of moods...Prokofiev’s monstrously demanding Second Concerto sees him completely in his element so far as hyper-virtuosity is concerned...With the Eighth Sonata I have more concerns. In general Trifonov has difficulty keeping his inner agitation in check.

January 2021

Trifonov has excelled himself in these performances. If his delivery of Sarcasms has a scratchy, throw-away virtuosity, his account of ‘Chez Petrushka’ becomes an entrancingly poetic evocation. His rendering of the close of Prokofiev’s Concerto No 2 feels like a stampingly rebellious emancipation from the musical past, and he makes Scriabin’s concerto sound wonderfully improvisatory.

6th November 2020

He brings a Nijinsky-like grace to the transcriptions from Petrushka and The Firebird, and certain passages in the former work are despatched with such Neoclassical poise that there were moments where I’d have sworn he was playing a fortepiano rather than a concert grand. As on his superb recording of Liszt’s Transcendental Études, the clarity of his playing is such that you could take dictation from it if you were so inclined. Never mind silver, the Russian pianist has struck gold with this one.
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