Browse: Tartini (composer)
This page lists all recordings composed by Giuseppe Tartini (1692–1770).
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the most striking aspects of Podger’s playing throughout this recital (compared to most 20th-century ‘golden-agers’), is her enhanced range of tone and articulation, her vastly more flexible... — More…
Awards:
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Presto Editor's Choice, October 2022
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Presto Recordings of the Year, Finalist 2022
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BBC Music Magazine Awards, 2023, Recording of the Year
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BBC Music Magazine Awards, 2023, Winner - Instrumental
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Opus Klassik Awards, 2023, Winner - Solo Instrumental
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Gramophone Awards, 2023, Finalist - Instrumental
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The Italian Job RecommendedBaroque Instrumental Music from the Italian States
Gail Hennessy, Rachel Chaplin (oboes) & Peter Whelan (bassoon)
La Serenissima, Adrian Chandler
The highlight of the disc for me is Chandler’s performance of a seldom-played E major Violin Concerto by Tartini: he explores fully the rich poetic content of its slow movement while projecting... — More…
Awards:
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Gramophone Magazine, May 2017, Editor's Choice
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Gramophone Awards, 2017, Winner - Baroque Instrumental
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Grandissima Gravita RecommendedMusic by Pisenel, Tartini, Veracini & Vivaldi
Rachel Podger (violin)
Brecon Baroque
Her playing is intoxicated and intoxicating in equal measure, buoyed up by the wonderful improvisatory camaraderie of a continuo battery…Podger, inevitably, is the star, but ultimately the disc’s... — More…
Awards:
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BBC Music Magazine, December 2017, Chamber Choice
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Presto Recordings of the Year, Finalist 2017
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Gramophone Magazine, December 2017, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Chamber
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Duello d'Archi A Venezia Chouchane Siranossian (violin), Venice Baroque Orchestra, Andrea Marcon
Sparks (and rosin) really do fly on this high-octane album of violin concertos by what Siranossian calls the 'four musketeers' of Venice - Veracini, Locatelli, Tartini and Vivaldi. It's perhaps... — More…
Awards:
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Record Review, 27th May 2023, Record of the Week
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International Classical Music Awards, 2024, Nominated - Baroque Instrumental
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Presto Editor's Choice, May 2023
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His Devil’s Trill is dazzling: crisply articulated, smack bang in tune, theatrically multi-voiced, and with all manner of different shades and colours. Plus there’s the sheer wall-to-wall energy... — More…
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The Rise of the North Italian Violin Concerto 1690–1740 Volume Three: The Golden Age
La Serenissima, Adrian Chandler
…a well-chosen programme played with fervour and infectious esprit… — More…
Awards:
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Gramophone Awards, 2009, Finalist - Baroque Instrumental
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Vivaldi - Paganini - Tartini
Nils Mönkemeyer (viola), L'arte del mondo, Andreas Arend (lute), Massimiliano Toni (harpsichord)
Werner Ehrhardt
Though Mönkemeyer’s playing has an evident sense of period, he’s not performance practice, he’s not hidebound by the imperatives of the time-honoured treatises. He revels in Paganini’s honeyed... — More…
Awards:
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International Classical Music Awards, 2022, Nominated - Assorted Programs
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Pyrotechnia: Fire & Fury from 18th-Century Italy RecommendedBojan Čičić (violin)
The Illyria Consort
Čičić scarcely needs to prove his credentials through the medium of the virtuosic solo. The recording, instead, traces the impact of the capriccio-cadenza on the concerto form, and its evolution... — More…
Awards:
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Presto Recording of the Week, 29th October 2021
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Guardian Angel: Rachel Podger RecommendedMusic by Bach, Matteis, Tartini, Pisendel, Biber
Rachel Podger (violin)
Characteristically unforced and natural, the playing manages to sound endlessly considered yet spontaneous. There's a sureness to the placing of every note, whether poised or bristling with bite... — More…
Awards:
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Gramophone Magazine, November 2013, Editor's Choice
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BBC Music Magazine Awards, 2014, Instrumental Award Winner
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Tartini: Violin Concertos Chouchane Siranossian (violin), Venice Baroque Orchestra, Andrea Marcon
There’s a wonderfully spontaneous, almost rough-and-ready quality to these performances: resin flies and rhythms swing in the stomping gigas, whilst the mesmerising siciliana of the first concerto... — More…
Awards:
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Presto Editor's Choice, March 2020
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