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Pergolesi: Stabat Mater Jodie Devos (soprano), Adèle Charvet (mezzo-soprano), Maitrise de Radio France, Le Concert De La Loge, Julien Chauvin
The two solo voices are well matched, though the mezzo’s tone is edgier than that of her soprano colleague. Violinist/director Julien Chauvin presides over a pacy account that occasionally robs... — More…
Awards:
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Record Review, 19th February 2022, Record of the Week
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Presto Editor's Choice, February 2022
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Pergolesi: Stabat Mater & Rossell: Salve Regina Giulia Semenzato (soprano), Lucile Richardot (mezzo-soprano), Ensemble Resonanz, Riccardo Minasi
To both works, Minasi and his musicians bring all the drama of Italian opera, highlighting the gamut of Baroque affects with unapologetically extravagant gestures: expressive portamentos and... — More…
Awards:
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Gramophone Magazine, May 2021, Editor's Choice
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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Pergolesi: Stabat Mater Sandrine Piau (soprano), Christopher Lowrey (countertenor), Les Talens Lyriques, Christophe Rousset
Piau finds just the right balance between beauty of sound and fervent expressivity…[Lowrey] combines lucid diction with an aptly plangent sound – always beautifully controlled. Though they’re... — More…
Awards:
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Record Review, 11th April 2020, Record of the Week
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BBC Music Magazine, June 2020, Choral & Song Choice
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Stabat Mater Daniel Taylor (counter-tenor and Director), Emma Kirkby (soprano)
Theatre of Early Music
Emma Kirkby at her most serene is matched by Taylor as if they were two faces of a single musical entity. With first-rate surround-sound recording and a warm ambience, this is a disc not to... — More…
Awards:
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Gramophone Magazine, November 2009, Editor's Choice
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The Monaco-born Horvath’s versatility (check out his discography) lends itself to the chameleon Tailleferre: she switches from neoclassical to radical, tonal to bitonal, rhythmic and familiar... — More…
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Pergolesi: Messa in Re maggiore & Motetto 'Dignas laudes resonemus' Marlis Petersen & Marta Fumagalli
Coro E Orchestra Ghislieri, Guilio Prandi
While his Stabat Mater and Magnificat are relatively well-known, there are other sacred works which, if this CD is anything to go by, are equally fine and deserve hearing. Backed by the musicological... — More…
Awards:
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Diapason d’Or, June 2018, Découverte
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Arie Napoletane: Max Emanuel Cencic
Max Emanuel Cencic (countertenor)
Il Pomo D'Oro, Maxim Emelyanychev
Cencic negotiates this complex emotional parabola wonderfully well. This is a great voice, dark in tone, beguiling in its liquidity and finely equalised. His coloratura flows with great ease...though... — More…
Awards:
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Gramophone Magazine, December 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Recital
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Pergolesi: Stabat Mater
Lucy Crowe (soprano) & Tim Mead (counter-tenor)
La Nuova Musica, David Bates
[Mead] offers articulate readings of the cantatas, his voice (with its faint echoes of the young Andreas Scholl) is beautifully controlled, its reedy, instrumental quality yielding lovely dialogues... — More…
Awards:
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Gramophone Magazine, June 2017, Editor's Choice
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Pergolesi: Septem verba a Christo in cruce moriente prolata
World-premiere recording
Sophie Karthäuser (soprano), Christophe Dumaux (countertenor), Julien Behr (tenor), Konstantin Wolff (bass)
Akademie für Alte Musik, René Jacobs
Jacobs draws a mood of passionate concentration, throwing into high relief that work's quasi-operatic drama...There's some persuasive playing, too, by the Berlin ensemble: taut strings, magisterial... — More…
Awards:
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BBC Music Magazine, July 2013, Choral & Song Choice
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Pergolesi: Stabat Mater, Laudate Pueri & Confitebor
Julia Lezhneva (soprano), Philippe Jaroussky (countertenor)
I Barocchisti, Diego Fasolis
a dazzling display of how less can be more. Controlling his trademark exuberance, Jaroussky blends his voice perfectly with that of the pure-toned Julia Lezhneva...the choir and band respond... — More…
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