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Pergolesi: Adriano in Siria
Franco Fagioli (Farnaspe), Romina Basso (Emirena), Yuriy Mynenko (Adriano), Dilyara Idrisova (Sabina), Juan Sancho (Osroa), Cigdem Soyarsl (Aquilio)
Capella Cracoviensis, Jan Tomasz Adamus
Awards:
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Presto Recordings of the Year, Finalist 2016
Fagioli traverses two octaves of fioritura seamlessly, many times, and is well-matched by Yuriy Mynenko as a suave Adriano. Tenor Juan Sancho has juicier recitatives to work with as Osroa, King...
Pergolesi: Adriano in Siria
Franco Fagioli (Farnaspe), Romina Basso (Emirena), Yuriy Mynenko (Adriano), Dilyara Idrisova (Sabina), Juan Sancho (Osroa), Cigdem Soyarsl (Aquilio)
Capella Cracoviensis, Jan Tomasz Adamus
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Awards:
-
Presto Recordings of the Year, Finalist 2016
Fagioli traverses two octaves of fioritura seamlessly, many times, and is well-matched by Yuriy Mynenko as a suave Adriano. Tenor Juan Sancho has juicier recitatives to work with as Osroa, King...
About
New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion – the full spectrum of baroque opera seria is here in this new recording of Pergolesi’s ‘Adriano In Siria’. Franco Fagioli leads the cast, alongside Romina Basso, Yuriy Mynenko, Dilyara Idrisova, Juan Sancho and Cigdem Soyarslan, accompanied by the exuberant Polish orchestra Capella Cracoviensis under the baton of Jan Tomasz Adamus. Famed for his Stabat Mater, Pergolesi died aged just 26 but had already completed four opera seria; ‘Adriano in Siria’ is the third of these and has a libretto by Metastasio.
Contents and tracklist
- Cigdem Soyarslan (soprano), Dilyara Idrisova (soprano), Juan Sancho (tenor), Romina Basso (contralto), Franco Fagioli (countertenor), Yuriy Mynenko (countertenor)
- Capella Cracoviensis
- Jan Tomasz Adamus
- Recorded: 2015-08-19
- Recording Venue: Romana Bobrowska Concert Studio, Radio Krakow
Spotlight on this release
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Awards and reviews
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Presto Recordings of the YearFinalist 2016
April 2017
Fagioli traverses two octaves of fioritura seamlessly, many times, and is well-matched by Yuriy Mynenko as a suave Adriano. Tenor Juan Sancho has juicier recitatives to work with as Osroa, King of Parthia and arsonist, and does so with swagger.
February 2017
The set is overall strongly cast and well directed…Fagioli's Farnaspe is highly rewarding…I'm no doubt that this is an important release of a major Baroque opera, its value enhanced by being performed without cuts.
Opera Now February 2017
Fagioli really pulls out all the stops as Farnaspe, a role written for the castrato Cafarelli who must have been superhuman in his vocal abilities. Two-octave lunges, phrases without end – Fagioli relishes it all…Romina Basso is a gorgeous Emirena, smoothly vocalised and extremely expressive