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Pergolesi: Stabat Mater

Sandrine Piau (soprano), Christopher Lowrey (countertenor), Les Talens Lyriques, Christophe Rousset

Pergolesi: Stabat Mater

Awards:

Piau finds just the right balance between beauty of sound and fervent expressivity…[Lowrey] combines lucid diction with an aptly plangent sound – always beautifully controlled. Though they’re...

Pergolesi: Stabat Mater

Sandrine Piau (soprano), Christopher Lowrey (countertenor), Les Talens Lyriques, Christophe Rousset

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Awards:

Piau finds just the right balance between beauty of sound and fervent expressivity…[Lowrey] combines lucid diction with an aptly plangent sound – always beautifully controlled. Though they’re...

About

Longstanding partners Sandrine Piau and Christophe Rousset have frequently performed the Stabat Mater, an emblematic work of the eighteenth-century Neapolitan repertory, both together and with other musicians. It was therefore a natural step for them to record this supreme masterpiece of sacred music. They are joined here by a relative newcomer to Les Talens Lyriques who has also become a regular partner with the ensemble, the American countertenor Christopher Lowrey (already heard on an Alpha disc devoted to Monteverdi, Alpha 216).

The programme is completed by a Salve Regina for soprano by Nicola Porpora, sung by Sandrine Piau, and a Beatus vir for alto by Leonardo Leo, two totally unknown works by two composers who were nevertheless very famous at the time – Porpora, for example, was Farinelli’s singing teacher and mentor to the youthful Haydn. Christophe Rousset finds in this music ‘an expression of very Mediterranean, very highly flavoured piety, in which one moves from tears to laughter quite quickly’. Sandrine Piau sees in Leo ‘an elegance of style, a certain distance in sorrow’.

Contents and tracklist

I. Stabat Mater dolorosa
Track length4:48
II. Cujus animam gementem
Track length1:55
III. O quam tristis et dolebat
Track length1:40
IV. Quae moerebat et dolebat
Track length2:15
V. Quis est homo qui non fleret
Track length2:57
VI. Vidit suum dulcem natum
Track length2:50
VII. Eia Mater fons amoris
Track length1:52
VIII. Fac ut ardeat cor meum
Track length1:52
IX. Sancta Mater istud agas
Track length4:28
X. Fac ut portem Christi mortem
Track length3:47
XI. Inflammatus et accensus
Track length1:59
XII. Quando corpus morietur
Track length4:41
I. Salve Regina
Track length3:36
II. Ad te clamamus
Track length1:41
III. Ad te suspiramus
Track length2:35
IV.Eia ergo
Track length2:19
V. Et Jesum
Track length2:52
VI. O clemens
Track length3:55
I. Beatus vir
Track length2:51
II. Exortum est
Track length1:00
III. Misericors
Track length1:21
IV. Iucundus homo
Track length3:23
V. Dispersit
Track length2:49
VI. Gloria
Track length1:05
VII. Sicut era
Track length1:24

Spotlight on this release

Awards and reviews

  • Record Review
    11th April 2020
    Record of the Week
  • BBC Music Magazine
    June 2020
    Choral & Song Choice

June 2020

Piau finds just the right balance between beauty of sound and fervent expressivity…[Lowrey] combines lucid diction with an aptly plangent sound – always beautifully controlled. Though they’re rather different musical personalities, the two singers respond to each other with particular sensitivity and their voices plait together exquisitely. Rousset’s 17-member ensemble produces a suave, full-bodied sound, yet the details are never muddied.
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