Alan Curtis
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Special offer. Handel: Ariodante
RecommendedJoyce DiDonato (Ariodante), Karina Gauvin (Ginevra), Marie-Nicole Lemieux (Polinesso), Sabina Puértolas (Dalinda), Topi Lehtipuu (Lurcanio), Matthew Brook (King of Scotland), Anicio Zorzi Giustiniani (Odoardo)
Il Complesso Barocco, Alan Curtis
in Alan Curtis's scrupulously detailed performance, Joyce diDonato's gleaming legato and coloratura are upstaged by the elegance of Karina Gauvin's Ginevra. While diDonato offers recklessly... —
Awards:
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Presto Recording of the Week, 9th May 2011
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Building a Library, January 2019, Recommended Recording
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Handel Gold
RecommendedKiri Te Kanawa (soprano), Crispian Steele-Perkins (trumpet), Cecilia Bartoli, Plácido Domingo, Joan Sutherland, Anne Sofie von Otter, Luciano Pavarotti, Renée Fleming, Rolando Villazón, Joyce DiDonato, Russell Oberlin, Nigel Robson, Kathleen Ferrier, Bryn Terfel, Janet Baker, Magdalena Kozena, Grace...
Awards:
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Penguin Guide, Rosette
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Handel: Rodelinda
Simone Kermes (Rodelinda), Marijana Mijanovic (Bertarido), Sonia Prina (Eduige), Marie-Nicole Lemieux (Unolfo), Steve Davislim (Grimoaldo), Vito Priante (Garibaldo)
Il Complesso Barocco, Alan Curtis
Of available recordings this set has the edge, for its greater dramatic urgency and richer characterisation. —
Awards:
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BBC Music Magazine, Opera Choice
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Gramophone Magazine, September 2005, Editor's Choice
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Handel: Alcina
RecommendedJoyce DiDonato (Alcina), Maite Beaumont (Ruggiero), Karina Gauvin (Morgana), Sonia Prina (Bradamante), Kobie Van Rensburg (Oronte), Laura Cherici (Oberto), Vito Priante (Melisso)
Il Complesso Barocco, Alan Curtis
…mezzo-soprano Joyce DiDonato brings firebrand fioritura (vocal embellishment), impeccably naturalistic recitative and an inimitable everywoman pathos to the soprano title-role. —
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Gramophone Magazine, May 2009, Editor's Choice
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Building a Library, May 2016, Also Recommended
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Special offer. Handel: Giulio Cesare in Egitto
Marie-Nicole Lemieux (Giulio Cesare), Karina Gauvin (Cleopatra), Romina Basso (Cornelia), Emoke Barath (Sesto), Filippo Mineccia (Tolomeo), Johannes Weisser (Achilla), Milena Storti (Nireno), Gianluca Buratto (Curio)
Il Complesso Barocco, Alan Curtis
if all ears were once on the Egyptian seductress Cleopatra, now they are focused on the grieving Roman widow Cornelia...Curtis presents a Giulio Cesare that is as volatile and ambiguous as Mozart's... —
Awards:
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Gramophone Magazine, March 2013, Editor's Choice
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Coming soon. Joyce DiDonato: Drama Queens
Royal Arias from the 17th and 18th Centuries
Joyce DiDonato (mezzo-soprano)
Il Complesso Barocco, Alan Curtis
DiDonato and Alan Curtis...have unearthed some Baroque rarities. Instead of Handel's Berenice, we have Orlandini's Berenice, whose 'Da torbida procella' is an ideal fit for DiDonato's spitfire... —
Awards:
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Opera, January 2013, Recording of the Month
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Special offer. Conti, F: David
Marijana Mijanovic (contralto), Simone Kermes (soprano), Furio Zanasi (baritone), Birgit Christensen (soprano), Sonia Prina (contralto) & Vito Priante (baritone)
Il Complesso Barocco, Alan Curtis
David is a great find - an exceptionally inventive dramatic oratorio, its action carried vigorously along in powerful and highly original recitative. Jonathan (sung by Birgit Christensen) begs... —
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BBC Music Magazine, August 2007, Disc of the month
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Special offer. Amor e gelosia
Handel Operatic Duets
Patrizia Ciofi (soprano), Joyce DiDonato (mezzo)
Il Complesso Barocco, Alan Curtis
The duets in his operas are the special treats, coming at climactic points – most often, two lovers' supposedly final parting, or their ultimate reunion. Try 'Io t'abbraccio', from Rodelinda,... —
Awards:
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Gramophone Magazine, October 2004, Editor's Choice
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Special offer. Gluck: Ezio
RecommendedOriginal Prague version (1750)
Sonia Prina (Ezio), Max Emanuel Cencic (Valentiniano), Ann Hallenberg (Fulvia), Topi Lehtipuu (Massimo), Julian Pregardien (Varo), Mayuko Karasava (Onorio)
Il Complesso Barocco, Alan Curtis
What it reveals may surprise listeners. Though couched in the classic opera seria mode of the time...it shows that, like Handel [Gluck] could imbue the traditional form with drama...the succession... —
Awards:
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Presto Recording of the Week, 26th September 2011
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