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Strauss, R: Ariadne auf Naxos

Elizabeth Schwarzkopf (Prima Donna/Ariadne), Rita Streich (Zerbinetta), Irmgard Seefried (The Composer), Rudolf Schock (The Tenor/Bacchus), Alfred Neugebauer (Major Domo), Karl Dönch (The Music Teacher) (An Officer) Gerhard Unger (An Officer), Lisa Otto (Naiad), Grace Hoffman (Dryad), Anny Felbermayer...

Karajan's recording may yield top position to Rudolf Kempe's 1968 account, but surely to no other. His feeling for the music, as well as his cast - especially Schwarzkopf's Ariadne, Streich's...

Strauss, R: Ariadne auf Naxos

Elizabeth Schwarzkopf (Prima Donna/Ariadne), Rita Streich (Zerbinetta), Irmgard Seefried (The Composer), Rudolf Schock (The Tenor/Bacchus), Alfred Neugebauer (Major Domo), Karl Dönch (The Music Teacher) (An Officer) Gerhard Unger (An Officer), Lisa Otto (Naiad), Grace Hoffman (Dryad), Anny Felbermayer...

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Karajan's recording may yield top position to Rudolf Kempe's 1968 account, but surely to no other. His feeling for the music, as well as his cast - especially Schwarzkopf's Ariadne, Streich's...

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Contents and tracklist

The Prologue: Overture
Track length2:34
The Prologue: Mein Herr Haushofmeister! (Music Teacher, Major Domo, Lackey, Officer)
Track length4:04
The Prologue: Lieber Freund! Verschaffen Sie mir die Geigen (Composer, Lackey, Tenor, Wig Maker)
Track length3:46
The Prologue: Erst nach der Oper kommen wir daran (Zerbinetta, Prima Donna, Music Teacher, Composer, Dancing Master)
Track length4:35
The Prologue: Meine Partner! Meine erprobten Freunde! (Zerbinetta, Composer, Music Teacher, Prima Donna, Dancing Master, Lackey)
Track length3:34
The Prologue: Ihnen allen habe ich eine plotzliche Anordnung (Major Domo, Music Teacher, Prima Donna, Dancing Master, Tenor, Zerbinetta...)
Track length5:45
The Prologue: Ich weiss nicht, wo mir der Kopf steht (Music Teacher, Composer, Dancing Master, Prima Donna, Tenor, Zerbinetta)
Track length5:57
The Prologue: Kindskopf! Merkt auf, wir spielen mit in dem Stuck Ariadne auf Naxos (Zerbinetta, Composer)
Track length2:46
The Prologue: Ein Augenblick is wenig – ein Blick ist viel (Zerbinetta, Composer)
Track length4:16
The Prologue: An Ihre Platze, meine Damen und Herrn! (Music Teacher, Prima Donna, Composer, Zerbinetta)
Track length4:31
The Opera: Overture
Track length3:40
The Opera: Schlaft sie! (Naiad, Dryad, Echo)
Track length4:04
The Opera: Ach! Wo war ich? (Ariadne, Echo, Harlequin, Zerbinetta, Brighella, Truffaldino)
Track length3:20
The Opera: Ein Schones war, hiess Theseus – Ariadne (Ariadne, Naiad, Dryad, Echo, Harlequin, Zerbinetta, Scaramuccio, Truffaldino)
Track length6:50
The Opera: Ach, so versuchet doch ein kleines Lied! (Zerbinetta, Harlequin)
Track length2:23
The Opera: Es gibt ein Reich, wo alles rein ist (Ariadne)
Track length6:40
The Opera: Die Dame gibt mit truben Sinn: (Brighella, Scaramuccio, Harlequin, Truffaldino, Zerbinetta)
Track length5:33
The Opera: Grossmachtige Prinzessin, wer verstunde nicht (Zerbinetta)
Track length3:44
The Opera: Noch glaub’ ich dem einen ganz mich gehorend (Zerbinetta)
Track length7:31
The Opera: Hubsch gepredigt! Aber tauber Ohren! (Harlequin, Zerbinetta, Brighella, Scaramuccio, Truffaldino)
Track length7:51
The Opera: Ein schones Wunder! (Dryad, Naiad, Echo)
Track length3:41
The Opera: Circe, Circe, kannst du mich horen? (Bacchus, Ariadne, Naiad, Dryad, Echo)
Track length8:29
The Opera: Du schones Wesen! (Bacchus, Ariadne)
Track length7:54
The Opera: Bin ich ein Gott, schuf mich ein Gott (Bacchus, Ariadne)
Track length5:41
The Opera: Gibt es kein Hinuber? (Ariadne, Bacchus, Naiad, Dryad, Echo, Zerbinetta)
Track length9:18
Part II Scene 13: Morgen mittag um elf!
Track length6:19
Part II Scene 13: Ihre Liebe schlagt mir entgegen
Track length6:48
Part II Scene 13: Du Spiegelbild der verliebten Madeleine
Track length4:26

Awards and reviews

April 2006

Karajan's recording may yield top position to Rudolf Kempe's 1968 account, but surely to no other. His feeling for the music, as well as his cast - especially Schwarzkopf's Ariadne, Streich's Zerbinetta and Seefried's Composer - remains outstanding.

the opera… perfectly cast, magnificently performed, and very well recorded… Schwarzkopf brings the dark tone that is needed for Ariadne’s sorrows, and all the rapture called for at the end
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