Instrumental, Piano Solos, Harpsichord Solos, Rameau (composer)
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He’s done it again…it is clear from the outset that this is no lazy selection of favourites…His playing never feels self-indulgent of inappropriate…There is never any doubt that this is Ólafsson’s... —
Awards:
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Presto Recording of the Week, 27th March 2020
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Gramophone Magazine, April 2020, Editor's Choice
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BBC Music Magazine, June 2020, Recording of the Month
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Diapason d’Or, May 2020, Nouveauté
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Opus Klassik Awards, 2020, Winner - Solo Instrumental Recital (Piano)
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Gramophone Magazine, Critics' Choice 2020
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Presto Recordings of the Year, Winner 2020
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The Times Records of the Year, 2020
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He uses the capabilities of the modern Steinway judiciously, maintaining some of the qualities of the spinet and harpsichord of Purcell’s time whilst using but not over-using the vast tonal... —
Awards:
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Presto Recording of the Week, 30th August 2024
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Presto Recordings of the Year, Finalists 2024
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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Awards:
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Gramophone Awards, 1998, Winner - Baroque Non-Vocal
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[His] supple sensitivity underpins a formidable yet remarkably unshowy expressive power...Feuillâtre’s acute musical intelligence allies with frequent ornamentation...It ’s an exquisite, joyfully... —
Awards:
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Presto Recording of the Week, 31st March 2023
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BBC Music Magazine, June 2023, Instrumental Choice
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Presto Recordings of the Year, Finalist 2023
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BBC Music Magazine Awards, 2024, Shortlisted - Newcomer
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spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied... —
Awards:
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Presto Recording of the Week, 15th January 2016
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Presto Recordings of the Year, Finalist 2016
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Special offer. Rameau: Le Grand Theatre de l'Amour
Opera Arias
Sabine Devieilhe (soprano)
Les Ambassadeurs, Alexis Kossenko
Devieilhe has a clear, flexible voice with easy high notes. She's an agile, expressive and stylish singer, and a generous team-player...The star performance here, however, comes from Kossenko... —
Awards:
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BBC Music Magazine, May 2014, Opera Choice
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Gramophone Awards, 2014, Finalist - Baroque Vocal
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Diapason d’Or de l’Année, 2014, Winner - Musique baroque vocale
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If the programme sounds familiar, the reality is anything but. The first movement of Beethoven’s Sonata Op. 2 No. 3 emerges spacious and unhurried…The Op. 119 Bagatelles are an even greater... —
Awards:
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Presto Recording of the Week, 8th May 2020
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BBC Music Magazine, August 2020, Instrumental Choice
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Presto Recordings of the Year, Finalist 2020
Purchase product
2 CDs + DVD Video
$27.50 -
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Special offer. Rameau: Les Indes Galantes
Ana Quintans (soprano), Julie Roset (soprano), Emmanuelle de Negri (soprano), Mathias Vidal (tenor), Alexandre Duhamel (baritone), Guillaume Andrieux (baritone), Edwin Crossley-Mercer (bass-baritone), La Chapelle Harmonique, Valentin Tournet
With the extra music for Amour in the Prologue, this is a welcome complement to the Budapest recording (with mostly French soloists) conducted by György Vashegyi. —
Awards:
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International Classical Music Awards, 2022, Nominated - Baroque Vocal
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Special offer. Barricades
RecommendedJean Rondeau (harpsichord), Thomas Dunford (lute), Lea Desandre (mezzo-soprano), Marc Mauillon (baritone), Myriam Rignol (viola da gamba)
Though still both around 30, Dunford and Rondeau are already steeped in this rich and subtle repertoire, and play it like they own it …Both also like to indulge in some slowish tempos, but Dunford’s... —
Awards:
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Presto Recording of the Week, 5th June 2020
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Presto Recordings of the Year, Finalist 2020
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[Rondeau's] performance of Le vertigo is a thing of pugilistic wonder, flouncing around like an operatic diva succumbing to a hissy fit…he cuts a virtuosic swathe through Royer’s Marche des... —
Awards:
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Presto Recordings of the Year, Finalist 2016
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Opus Klassik Awards, 2018, Winner - Solo Recording - harpsichord (music up to and including 18th century)
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