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Grigory Sokolov plays Schubert & Beethoven
Grigory Sokolov (piano)
Awards:
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Presto Recording of the Week, 15th January 2016
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Presto Recordings of the Year, Finalist 2016
spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied...
Grigory Sokolov plays Schubert & Beethoven
Grigory Sokolov (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 15th January 2016
-
Presto Recordings of the Year, Finalist 2016
spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied...
About
Grigory Sokolov is an exceptional artist. He is regarded as one of the world’s leading pianists and adored by his audience in sold-out concerts – dedicated to his art, and nothing else.
His debut album on Deutsche Grammophon “Salzburg Recital” was a huge success and is the best-selling frontline core classical release this year to date.
With Schubert & Beethoven we have another hit in our hands: Grigory Sokolov plays late masterworks by Schubert, including the much-loved Impromptus, and Beethoven’s mighty “Hammerklavier” Sonata, finishing with six impeccable encores by Rameau and Brahms
This outstanding recital is culled from concerts in Warsaw and Salzburg. Salzburger Nachrichten claimed: “Wherever he plays, the utopia of ultimate satisfaction is closer than ever… “
An hour of Schubert comprising some of his best-loved piano music (the Impromptus in A flat and G flat major, with rippling arpeggios and timeless melodies), and three of his late piano works that search out the depths of his art (look at an excerpt here: https://youtu.be/oOVJBE5Utvc )
Beethoven’s longest piano sonata – one of the famous “late” sonatas – explores the whole range of the extended keyboard then available to him. It lasts over 45 minutes and is one of his most over-the-top works –with its huge fugal finale that has been known to drive listeners crazy. Sokolov has it all under control.
After Mozart & Chopin this new live recording is another pianistic landmark release.
Contents and tracklist
- Grigory Sokolov (piano)
- Recorded: 2016
- Recording Venue: Warsaw Philharmonic Concert Hall
- Grigory Sokolov (piano)
- Recorded: 2016
- Recording Venue: Warsaw Philharmonic Concert Hall
- Grigory Sokolov (piano)
- Recorded: 2016
- Recording Venue: Großes Festspielhaus Salzburg
- Grigory Sokolov (piano)
- Recorded: 2013-08-23
- Recording Venue: Großes Festspielhaus Salzburg
- Grigory Sokolov (piano)
- Recorded: 2016
- Recording Venue: Großes Festspielhaus Salzburg
- Grigory Sokolov (piano)
- Recorded: 2016
- Recording Venue: Großes Festspielhaus Salzburg
Spotlight on this release
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Awards and reviews
-
Presto Recording of the Week15th January 2016
-
Presto Recordings of the YearFinalist 2016
spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied to undoubted pianistic mastery, such unorthodoxy certainly commands attention [and there are] twinkling Rameau and dreamy Brahms encores
15th January 2016
For me, part of what makes Sokolov such an extraordinary pianist is his use of rubato and his flexibility with tempo: the way he will fractionally delay the second beat of a bar so as to highlight an accent in the first Schubert Klavierstück, for instance, or the space he creates by extending the quaver rests at the end of each phrase of the fourth Impromptu just to give a lift to the music, is really something rather special.
