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Grigory Sokolov plays Schubert & Beethoven

Grigory Sokolov (piano)

Grigory Sokolov plays Schubert & Beethoven

Awards:

spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied...

Grigory Sokolov plays Schubert & Beethoven

Grigory Sokolov (piano)

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2 CDs

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied...

About

Grigory Sokolov is an exceptional artist. He is regarded as one of the world’s leading pianists and adored by his audience in sold-out concerts – dedicated to his art, and nothing else.

His debut album on Deutsche Grammophon “Salzburg Recital” was a huge success and is the best-selling frontline core classical release this year to date.

With Schubert & Beethoven we have another hit in our hands: Grigory Sokolov plays late masterworks by Schubert, including the much-loved Impromptus, and Beethoven’s mighty “Hammerklavier” Sonata, finishing with six impeccable encores by Rameau and Brahms

This outstanding recital is culled from concerts in Warsaw and Salzburg. Salzburger Nachrichten claimed: “Wherever he plays, the utopia of ultimate satisfaction is closer than ever… “

An hour of Schubert comprising some of his best-loved piano music (the Impromptus in A flat and G flat major, with rippling arpeggios and timeless melodies), and three of his late piano works that search out the depths of his art (look at an excerpt here: https://youtu.be/oOVJBE5Utvc )

Beethoven’s longest piano sonata – one of the famous “late” sonatas – explores the whole range of the extended keyboard then available to him. It lasts over 45 minutes and is one of his most over-the-top works –with its huge fugal finale that has been known to drive listeners crazy. Sokolov has it all under control.

After Mozart & Chopin this new live recording is another pianistic landmark release.

Contents and tracklist

No. 1 in C Minor (Allegro molto moderato)
Track length10:34
No. 2 in E-Flat Major (Allegro)
Track length5:45
No. 3 in G-Flat Major (Andante)
Track length5:24
No. 4 in A-Flat Major (Allegretto)
Track length8:22
No. 1 in E-Flat Minor (Allegro assai)
Track length14:10
No. 2 in E-Flat Major (Allegretto)
Track length13:33
No. 3 in C Major (Allegro)
Track length7:12
I. Allegro
Track length13:43
II. Scherzo. Assai vivace - Presto - Prestissimo - Tempo I
Track length3:30
III. Adagio sostenuto
Track length21:28
IV. Largo - Allegro risoluto
Track length14:02
I. Les tendres plaintes. Rondeau
Track length3:35
XVII. Les tourbillons
Track length2:24
XVIII. Les cyclopes
Track length3:59
XV. La follette
Track length2:24
VI. Les sauvages
Track length1:53
No. 2 in B-Flat Minor
Track length6:17

Spotlight on this release

Awards and reviews

spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied to undoubted pianistic mastery, such unorthodoxy certainly commands attention [and there are] twinkling Rameau and dreamy Brahms encores

15th January 2016

For me, part of what makes Sokolov such an extraordinary pianist is his use of rubato and his flexibility with tempo: the way he will fractionally delay the second beat of a bar so as to highlight an accent in the first Schubert Klavierstück, for instance, or the space he creates by extending the quaver rests at the end of each phrase of the fourth Impromptu just to give a lift to the music, is really something rather special.
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