Brahms - Intermezzo in B flat minor, Op. 117 No. 2
Genres:
Instrumental » Piano Solos
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spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied... — More…
Awards:
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Presto Recording of the Week, 15th January 2016
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Presto Recordings of the Year, Finalist 2016
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Freire's sound has always been a thing of wonder: even at full volume and full tilt there's no hint of percussiveness in his tone...Highlights are many - the regret-filled duet of the middle... — More…
Awards:
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Gramophone Magazine, Awards Issue 2017, Editor's Choice
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Gramophone Awards, 2018, Shortlisted - Instrumental
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Perhaps the highest compliment I can give this recording is that I have listened to its 80 minutes several times, and despite the relative similarity
and introspection of the repertoire, I never... — More…Awards:
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International Classical Music Awards, 2019, Nominee - Solo Music
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If the programme sounds familiar, the reality is anything but. The first movement of Beethoven’s Sonata Op. 2 No. 3 emerges spacious and unhurried…The Op. 119 Bagatelles are an even greater... — More…
Awards:
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Presto Recording of the Week, 8th May 2020
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BBC Music Magazine, August 2020, Instrumental Choice
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Presto Recordings of the Year, Finalist 2020
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2 CDs + DVD Video
$27.50 -
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Special offer. Moura Lympany: The complete HMV recordings 1947 -1952
The Matthay School Volume 5
Moura Lympany (piano)
Philharmonia Orchestra, London Symphony Orchestra, Rafael Kubelik, Herbert Menges, Walter Susskind
Dame Moura's virtuosity quietly stuns. Her Mendelssohn, Liszt and Litolff are fleet and joyful; Granados's The Maiden and the Nightingale and Debussy's Clair de lune sing from the heart. — More…
Awards:
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Gramophone Magazine, Awards Issue 2013, Re-issue of the Month
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Behind the flowers, butterflies and soulful photos there lies some very classy piano-playing...Buniatishvili's playing is eloquent indeed: her voicing is expertly balanced in the opening Bach... — More…
Awards:
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BBC Music Magazine, October 2014, Instrumental Choice
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Je n'aime pas Brahms, mais ça j'aime bien !
Tonhalle-Orchester Zürich, Gerhard Oppitz (piano), Eric Le Sage (piano), Paul Meyer (clarinet), Nikolaus Harnoncourt, Wiener Philharmoniker, Arnold Schoenberg Chor, Emanuel Ax (piano), Jaime Laredo (viola), Isaac Stern (violin), Yo-Yo Ma (cello), George Enescu Philharmonic Orchestra, Bucharest, Richard...
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This is such a cornucopia of good things it is hard to know where to start...[in the Bach] Joyce's deft, sparingly pedalled light touch, her nonchalant speed and fluency and a palpable enjoyment... — More…
Awards:
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Gramophone Magazine, December 2011, Re-issue of the Month
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