Daniel Reuss
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Stravinsky: Les Noces, Mass & Cantata
RecommendedCarolyn Sampson, Susan Parry, Jan Kobow, Vsevolod Grivnov & Maxim Mikhailov
RIAS-Kammerchor, MusikFabrik & Ensemble für Neue Musik, Daniel Reuss
Stravinsky loathed superimposed 'expressiveness', and always insisted his music should be executed rather than interpreted. On that basis, this latest release from the RIAS Chamber Choir of... — More…
Awards:
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Gramophone Magazine, September 2006, Editor's Choice
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Building a Library, November 2018, Recommendation - Choral & instrumental virtuosity
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Martin, F: Golgotha
Judith Gauthier (soprano), Marianne Beate Kielland (alto), Adrian Thompson (tenor), Mattijs van de Woerd (baritone) & Konstantin Wolff (bass)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir & Estonian National Symphony Orchestra, Daniel Reuss
A restrained, haunting chromaticism suffuses the music...The choral contributions throughout are engaged and responsive...this is a strong performance of a work where this is limited competition... — More…
Awards:
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Gramophone Awards, 2010, Finalist - Choral
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Record Review, December 2010, Critics' Disc of the Year
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Martin, F: Le Vin Herbé
Sandrine Piau (Iseut), Steve Davislim (Tristan), Jutta Böhnert (Branghien), Hildegard Wiedemann (Iseut aux Blanches Mains), Ulrike Bartsch (La Mère d'Iseult), Joachim Buhrmann (Kaherdin), Jonathan E. de la Paz Zaens (King Mark) & Roland Hartmann (Le Duc Hoël & Un Vieillard)
RIAS Kammerchor...
Daniel Reuss's… singers and instrumentalists show themselves completely attuned to this exalted score and sensitive to its luminous textures and powerful sense of mystery. The choir has perfect... — More…
Awards:
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Gramophone Magazine, July 2007, Editor's Choice
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Superb accounts of Ligeti’s mesmerising Lux aeterna and the wildly beautiful Holderlin Fantasies, Peter Heppener’s Im Gestein may not be quite so radically individual, but it also scintillates... — More…
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The Vocalconsort of Berlin present performances of such assurance and complete security that it is salutary to recall just how hard this mercurial music is to sing. A perfect balance, utterly... — More…
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Honegger: Le Roi David
Christophe Balissat (le récitant), Athéna Poullos (la pythonisse), Lucie Chartin (soprano), Marianne Beate Kielland (mezzo-soprano) & Thomas Walker (tenor)
Orchestre de la Suisse Romande, Ensemble Vocal de Lausanne, Daniel Reuss
There are some ravishing moments, and it is given a polished performance — More…
Awards:
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Record Review, 1st April 2017, Recording of the Week
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An entire disc of funeral motets and deplorations might not sound like fun, but Josquin’s music and the timeless poetry of his texts assuage and transcend…[Reuss’s] tempos are never too ponderous,... — More…
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Lang’s music is subtle yet affecting in its unsentimental exploration of the human condition, and is met here with a performance of sensitivity and poise. — More…
Awards:
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Presto Editor's Choice, June 2022
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Handel: Solomon
Sarah Connolly (mezzo-soprano), Carolyn Sampson (soprano), Susan Gritton (soprano), Mark Padmore (tenor) & David Wilson-Johnson (baritone)
RIAS Kammerchor & Akademie für Alte Musik Berlin, Daniel Reuss
…sleek playing from the Berlin period instrument players, though the choir sounds too slim-line for the big moments. As Zadok, Mark Padmore moves around most of the notes with skill. Sarah... — More…
Awards:
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Gramophone Magazine, December 2007, Editor's Choice
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Special offer. Poulenc: Stabat mater
Carolyn Sampson (soprano)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir & Estonian National Symphony Orchestra, Daniel Reuss
The word 'powerful' is not one we naturally associate with Poulenc...Still, these are vivid and, yes, powerful performances. — More…
