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Daniel Reuss
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The best of today's specialist vocal ensembles, whether active in period practice or devoted to the new, can more or less guarantee delivery of the required pitches though vibrato-lite accuracy... —
Awards:
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Gramophone Magazine, February 2026, Editor's Choice
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Stravinsky: Les Noces, Mass & Cantata
RecommendedCarolyn Sampson, Susan Parry, Jan Kobow, Vsevolod Grivnov & Maxim Mikhailov
RIAS-Kammerchor, MusikFabrik & Ensemble für Neue Musik, Daniel Reuss
Stravinsky loathed superimposed 'expressiveness', and always insisted his music should be executed rather than interpreted. On that basis, this latest release from the RIAS Chamber Choir of... —
Awards:
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Gramophone Magazine, September 2006, Editor's Choice
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Building a Library, November 2018, Recommendation - Choral & instrumental virtuosity
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Lang’s music is subtle yet affecting in its unsentimental exploration of the human condition, and is met here with a performance of sensitivity and poise. —
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Presto Editor's Choice, June 2022
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Martin, F: Golgotha
Judith Gauthier (soprano), Marianne Beate Kielland (alto), Adrian Thompson (tenor), Mattijs van de Woerd (baritone) & Konstantin Wolff (bass)
Cappella Amsterdam, Estonian Philharmonic Chamber Choir & Estonian National Symphony Orchestra, Daniel Reuss
A restrained, haunting chromaticism suffuses the music...The choral contributions throughout are engaged and responsive...this is a strong performance of a work where this is limited competition... —
Awards:
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Gramophone Awards, 2010, Finalist - Choral
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Record Review, December 2010, Critics' Disc of the Year
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It is a mixed choir of 15 voices which work together splendidly, even if Lassus rarely uses the different ranges to enhance the meaning of the text...An insightful, rewarding and musical recording. —
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International Classical Music Awards, 2026, Nominated - Early Music
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the constant interplay between these two composers makes their stylistic differences seem more apparent than real. Not the least reason for this is the expertise of Cappella Amsterdam and unforced... —
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$21.00 -
Honegger: Le Roi David
Christophe Balissat (le récitant), Athéna Poullos (la pythonisse), Lucie Chartin (soprano), Marianne Beate Kielland (mezzo-soprano) & Thomas Walker (tenor)
Orchestre de la Suisse Romande, Ensemble Vocal de Lausanne, Daniel Reuss
There are some ravishing moments, and it is given a polished performance —
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Record Review, 1st April 2017, Recording of the Week
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Martin, F: Le Vin Herbé
Sandrine Piau (Iseut), Steve Davislim (Tristan), Jutta Böhnert (Branghien), Hildegard Wiedemann (Iseut aux Blanches Mains), Ulrike Bartsch (La Mère d'Iseult), Joachim Buhrmann (Kaherdin), Jonathan E. de la Paz Zaens (King Mark) & Roland Hartmann (Le Duc Hoël & Un Vieillard)
RIAS Kammerchor...
Daniel Reuss's… singers and instrumentalists show themselves completely attuned to this exalted score and sensitive to its luminous textures and powerful sense of mystery. The choir has perfect... —
Awards:
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Gramophone Magazine, July 2007, Editor's Choice
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Special offer. Tales of song and sadness
Cappella Amsterdam, Orchestra of the 18th Century, Daniel Reuss, Frans Brüggen
This recording must contain some of the finest ever interpretations of these works: the choral singing, especially, is exceptional in its clarity and super-precise tuning. Daniel Reuss's conducting... —
Awards:
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BBC Music Magazine, February 2026, Choral Choice
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