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Vivit!

Choral Works By Max Reger and Rudolf Tobias

Ene Salumäe (organ) & Siim Selis (piano)

Estonian Philharmonic Chamber Choir, Daniel Reuss

Stylistically, [Tobias] is a sort of Baltic Bairstow...transcendental without being revolutionary, intimate, not vain, and highly responsive to text and atmosphere. Reger, by contrast, favours...

Vivit!

Choral Works By Max Reger and Rudolf Tobias

Ene Salumäe (organ) & Siim Selis (piano)

Estonian Philharmonic Chamber Choir, Daniel Reuss

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This release includes a digital booklet

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Stylistically, [Tobias] is a sort of Baltic Bairstow...transcendental without being revolutionary, intimate, not vain, and highly responsive to text and atmosphere. Reger, by contrast, favours...

About

With this new release the Estonian Philharmonic Chamber Choir under Daniel Reuss pay tribute to Max Reger (1873-1916) and Rudolf Tobias (1873-1918)

In his collection of sacred and secular songs, Reger connects them with nature and its rhythm.

Rudolf Tobias uses more secular texts for his songs. Two of the most famous ones – “Eks teie tea” and “Otsekui hirv” – are included on this release and offer a stunning introduction to his music.

The Estonian Philharmonic Chamber Choir is one of the world’s finest choral ensembles and internationally praised for its stunning sound.

Daniel Reuss is one of today’s most acclaimed choral conductors. Alongside his two ensembles, the Capella Amsterdam and the Estonian Philharmonic Chamber Choir, he is a frequent guest at international concert venues across the world and has won many awards for his recordings.

Contents and tracklist

No. 11, Melodia
Track length4:54
No. 4, Unser lieben Frauen Traum
Track length2:15
No. 1, Der Mensch lebt und bestehet nur eine kleine Zeit
Track length2:55
No. 3, Nachtlied
Track length3:38
No. 2, Zur Nacht
Track length2:11
No. 3, Abendlied
Track length4:20
No. 2, Abendlied
Track length5:09

Awards and reviews

September 2013

Stylistically, [Tobias] is a sort of Baltic Bairstow...transcendental without being revolutionary, intimate, not vain, and highly responsive to text and atmosphere. Reger, by contrast, favours more luxuriant textures...the Estonian choristers relish the curvaceous lines of the Op. 6 songs
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