Browse: Gramophone Awards, 2010

Pappano's conducting maintains a firm control of his forces, showing a sense of drama that includes an awareness of the importance of some crucial moments of silence. Pappano's soloists are... — BBC Music Magazine, October 2009, More…

Jonathan Kent's joyous Glyndebourne production burst[s] with opulent stagecraft...Kent is abetted by William Christie in the pit, a man of the theatre down to his gainfully-employed fingertips...Altogether... — BBC Music Magazine, November 2010, More…

…the most stimulating and fascinating accounts of the Beethoven violin sonatas I have heard in many years. Isabelle Faust and Alexander Melnikov bring out the full quirkiness of the earlier... — BBC Music Magazine, October 2009, More…

…everyone reaches out to the purple passages when Adès touches something rich and strange. Those include the evolution of the young lovers' music from homages to midsummer Britten and Tippett... — BBC Music Magazine, August 2009, More…

The performances… are typically neatly-pointed and vivacious. — BBC Music Magazine, October 2009, More…

The musical imagination of The Cardinall's Music does full justice to that of Byrd. The group's delivery is a sensual delight, as an individual singer's colours will flash up in polyphonic lines,... — BBC Music Magazine, March 2010, More…

Zehetmair...is able to marry impassioned purpose with appreciation of Elgar's complexity...Mark Elder's direction is stunning...there's a warm glow about the Hallé sound that adds an extra strand... — BBC Music Magazine, May 2010, More…

This is a beautifully paced performance - measured, poetic but dynamic. The orchestra responds superbly....Katarina Dalayman is one of the most appealing Brünnhildes on disc, Lars Cleveman a... — BBC Music Magazine, July 2010, More…

Jonathan Kent's joyous Glyndebourne production burst[s] with opulent stagecraft...Kent is abetted by William Christie in the pit, a man of the theatre down to his gainfully-employed fingertips...Altogether... — BBC Music Magazine, November 2010, More…

This is an artist who moves between registers with grace and skill, whose legato is seamless and whose tone is pearly. Indeed so creamy in 'D'amor al dolce impero', also from Armida, that you... — BBC Music Magazine, January 2010, More…