Marlis Petersen
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Special offer. Korngold: Die tote Stadt
RecommendedJonas Kaufmann (Paul), Marlis Petersen (Marietta), Andrej Filonczyk (Frank/Fritz), Jennifer Johnston (Brigitta), Mirjam Mesak (Juliette), Corinna Scheurle (Lucienne), Manuel Günther (Gaston/Victorin), Dean Power (Graf Albert), Bayerische Staatsoper, Kirill Petrenko, Simon Stone (director)
There’s a depth and emotional intelligence to this staging that disarmed my initial resistance...on every level, a glorious achievement. —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Presto Recording of the Week, 23rd July 2021
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Opera, October 2021, Disc of the Month
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Gramophone Magazine, Awards Issue 2021, DVD/Blu-ray of the Month
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Presto Recordings of the Year, Finalist 2021
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Presto Recordings of the Year, Winner 2021, DVD/Blu-ray of the Year
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International Classical Music Awards, 2022, Winner - Video Performance
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Opus Klassik, 2022, Winner - Opera
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Gramophone Awards, 2022, Winner - Opera
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Gramophone Awards, 2022, Recording of the Year
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Mozart: Die Zauberflöte, K620
RecommendedDaniel Behle (Tamino), Marlis Petersen (Pamina), Daniel Schmutzhard (Papageno), Sunhae Im (Papagena), Anna-Kristiina Kaappola (Königin der Nacht), Marcos Fink (Sarastro), Kurt Azesberger (Monostatos)
Akademie für Alte Musik Berlin, René Jacobs
...this is a total experience, perfectly tailored for private listening. René Jacobs thinks of it as a Hörspiel: it's a play to be heard - I don't know a recorded Zauberflöte more thrillingly... —
Awards:
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Presto Recording of the Week, 13th September 2010
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Sunday Times, 2010, Albums of the Year
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Gramophone Awards, 2011, Finalist - Opera
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BBC Music Magazine, November 2010, Opera Choice
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Record Review, December 2010, Critics' Disc of the Year
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Gramophone Magazine, Awards Issue 2010, Editor's Choice
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BBC Music Magazine Awards, 2011, Opera Award Winner
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Building a Library, November 2020, Recommended Recording
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Beethoven: Leonore
RecommendedMarlis Petersen (Leonore), Maximilian Schmitt (Florestan), Dimitry Ivashchenko (Rocco), Johannes Weisser (Pizarro), Robin Johannsen (Marzelline), Johannes Chum (Jaqino), Tareq Nazmi (Don Fernando), Florian Feth, Julian Popken (Two Prisoners)
Freiburger Barockorchester, René Jacobs
Of the principals only Johannes Weisser’s Don Pizarro disappoints, and even he is strong in the dialogue. Jacobs’s tempos are fast – sometimes a bit skittishly so – and the sublimity one looks... —
Awards:
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Presto Recordings of the Year, Finalist 2019
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Record Review, 7th December 2019, Record of the Week
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Presto Recording of the Week, 6th December 2019
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International Opera Awards, 2020, Nominated - Complete Opera Recording
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Opera, March 2020, Disc of the Month
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year (Petersen)
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Special offer. Korngold: Die tote Stadt
RecommendedJonas Kaufmann (Paul), Marlis Petersen (Marietta), Andrej Filonczyk (Frank/Fritz), Jennifer Johnston (Brigitta), Mirjam Mesak (Juliette), Corinna Scheurle (Lucienne), Manuel Günther (Gaston/Victorin), Dean Power (Graf Albert), Bayerische Staatsoper, Kirill Petrenko, Simon Stone (director)
There’s a depth and emotional intelligence to this staging that disarmed my initial resistance...on every level, a glorious achievement. —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Presto Recording of the Week, 23rd July 2021
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Opera, October 2021, Disc of the Month
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Gramophone Magazine, Awards Issue 2021, DVD/Blu-ray of the Month
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Presto Recordings of the Year, Finalist 2021
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Presto Recordings of the Year, Winner 2021, DVD/Blu-ray of the Year
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International Classical Music Awards, 2022, Nominated - Video Performance
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Opus Klassik, 2022, Winner - Opera
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Gramophone Awards, 2022, Winner - Opera
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Gramophone Awards, 2022, Recording of the Year
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Haydn: The Seasons, Hob.XXI:3
RecommendedMarlis Petersen (soprano), Werner Güra (tenor) & Dietrich Henschel (baritone)
RIAS Kammerchor & Freiburger Barockorchester, René Jacobs (direction)
What clinches my preference for this new version is the trio of soloists, led by the soaring, sensuous soprano of Marlis Petersen. Petersen's timing and her knowing humour are delightful, both... —
Awards:
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Gramophone Magazine, July 2026, Winner - Editor's Choice
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Building a Library, March 2008, First Choice
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Gramophone Awards, 2005, Winner - Choral
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the sheer range of Petersen's soprano and her interests enables her to compel and convince as much in 1821 Schubert as in German composer Manfred Trojahn's settings from 2008...Most fascinating... —
Awards:
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BBC Music Magazine Awards, 2013, Vocal Finalist
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BBC Music Magazine, May 2012, Choral & Song Choice
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Special offer. Beethoven: Missa Solemnis in D major, Op. 123
Marlis Petersen (soprano), Gerhild Romberger (mezzo-soprano), Benjamin Hulett (tenor) & David Wilson-Johnson (baritone)
Collegium Vocale Gent & Orchestre des Champs-Élysées, Philippe Herreweghe
With a smallish orchestra, period practices and a tight grip on tempos, this is one of the least relenting performances I have heard. —
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Special offer. Poulenc: Stabat Mater & Les Biches
RecommendedMarlis Petersen (soprano)
Stuttgart Southwest Radio Vocal Ensemble, Stuttgart Radio Symphony Orchestra, North German Radio Chorus, Stéphane Denève
Monk and man-about-town: both sides of Poulenc's complex personality are represented. Deneve conducts idiomatically, and his sharp, perky account of the ballet Les Biches is particularly relishable. —
Awards:
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Building A Library, November 2024, Recommended Recording (Stabat Mater)
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If we think we hear Bach at one moment, then Mahler at the next, and then Widmann himself, then we’d be right: it’s a bit like being presented with the entire range of German art music in one... —
Awards:
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Opus Klassik Awards, 2019, Winner - Composer of the Year
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Awards:
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Diapason d’Or, April 2018, Nouveauté
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