Simon Keenlyside
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New. Mahler: Lieder der Jugend
Songs of Youth and Awakening
Katharina Konradi (soprano), Sophie Rennert (mezzo), Mauro Peter (tenor), Simon Keenlyside (baritone), Joseph Middleton (piano)
Keenlyside navigates masterfully through idyllic happiness and despair... But what makes this release exceptional is how the singing of his three younger and less familiar colleagues holds its... —
Awards:
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BBC Music Magazine, August 2026, Vocal Choice
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Special offer. Mozart: The Magic Flute
Barry Banks (Tamino), Rebecca Evans (Pamina), Elizabeth Vidal (Queen of the Night), Simon Keenlyside (Papageno), John Tomlinson (Sarastro), Lesley Garrett (Papagena), John Graham-Hall (Monostatos)
Geoffrey Mitchell Choir, London Philharmonic Orchestra, Sir Charles Mackerras
Of all repertoire operas, none gains more than The Magic Flute from performance in the language of the audience. Musically, the performance is hard to fault. Articulation is light and buoyant,... —
Awards:
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BBC Music Magazine, June 2005, Disc of the month
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Gramophone Magazine, June 2005, Editor's Choice
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Mozart: Le nozze di Figaro, K492
RecommendedSimon Keenlyside (Count), Véronique Gens (Countess), Patrizia Ciofi (Susanna), Lorenzo Regazzo (Figaro), Angelika Kirchschlager (Cherubino), Marie McLaughlin (Marcellina)
Collegium Vocale Gent, Concerto Köln, René Jacobs
René Jacobs always brings new ideas to the operas he conducts, and even to a work as familiar as Figaro he adds something of his own. First of all he offers an orchestral balance quite unlike... —
Awards:
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Gramophone Magazine, May 2004, Editor's Choice
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Gramophone Awards, 2004, Recording of the Year
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Gramophone Awards, 2004, Winner - Opera
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Grammy Awards, 47th Awards (2004), Best Opera Recording
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Building A Library, April 2022, Recommended Recording
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Adès: The Tempest
RecommendedSimon Keenlyside (Prospero), Kate Royal (Miranda), Toby Spence (Ferdinand), Ian Bostridge (Caliban), Cyndia Sieden (Ariel), Philip Langridge (Alonso), Donald Kaasch (Antonio), Jonathan Summers (Sebastian), David Condier (Trinculo), Stephen Richardson (Stefano), Graeme Danby (Gonzalo)
The Chorus...
…everyone reaches out to the purple passages when Adès touches something rich and strange. Those include the evolution of the young lovers' music from homages to midsummer Britten and Tippett... —
Awards:
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Gramophone Magazine, August 2009, Disc of the Month
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Gramophone Awards, 2010, Winner - Contemporary
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Grammy Awards, 56th Awards (2013), Best Opera Recording
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Mendelssohn: Elijah, Op. 70
Recommended(sung in English)
Rosemary Joshua (soprano), Jonty Ward (treble), Sarah Connolly (mezzo-soprano), Robert Murray (tenor) & Simon Keenlyside (baritone)
Wroclaw Philharmonic Choir, Gabrieli Young Singers' Scheme & Gabrieli Consort & Players, Paul McCreesh
Connolly sings with mellifluous tone and Simon Keenlyside is an Elijah of spirit and intelligence: he may not have the sheer weight of a Bryn Terfel, but he's alive to every shift of meaning... —
Awards:
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Presto Recording of the Week, 27th August 2012
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Gramophone Magazine, November 2012, Editor's Choice
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Diapason d’Or de l’Année, 2013, Winner - Oratorio
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This is the first operatic recital disc of the greatest lyric baritone of our time, indeed one of the greatest of any time. Everything is built… on superb breath control and a remarkable capacity... —
Awards:
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BBC Music Magazine, November 2006, Opera Choice
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Gramophone Magazine, November 2006, Disc of the Month
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Gramophone Awards, 2007, Winner - Recital
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The Complete Songs of Ravel
Lorna Anderson, Sarah Dufresne (sopranos), Julie Boulianne, Paula Murrihy (mezzos), Dafydd Jones, Nicky Spence (tenors), John Chest, Simon Keenlyside (baritones), William Thomas (bass), Malcolm Martineau (piano)
A particular highlight is baritone Simon Keenlyside’s Histoires naturelles...his suave storytelling rejoices in Renard’s mordant characterisations. But above all, subtly shaded, Martineau’s... —
Awards:
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Gramophone Magazine, May 2025, Editor's Choice
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BBC Music Magazine, June 2025, Vocal Choice
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Britten: Billy Budd
RecommendedPhilip Langridge (Vere), Simon Keenlyside (Billy), John Tomlinson (Claggart), Alan Opie (Mr Redburn), Matthew Best (Mr Flint), Alan Ewing (Mr Ratcliffe), Francis Egerton (Red Whiskers), Clive Bayley (Dansker); London Symphony Orchestra & Chorus, Tiffin Boys' Choir, Richard Hickox
Britten's score is so often praised that we tend to neglect the distinction of Forster and Crozier's libretto, sung in this set with unerring conviction by its three principals. Keenlyside and... —
Awards:
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Presto Recording of the Week, 1st December 2008
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Building a Library, January 2013, First Choice
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Special offer. Verdi: Macbeth
sung in English
Latonia Moore (Lady Macbeth), Simon Keenlyside (Macbeth), Gwyn Hughes Jones (Macduff), Brindley Sherratt (Banquo), Ben Johnson (Malcolm), Elizabeth Llewellyn (Lady in Waiting)
English National Opera Orchestra, Edward Gardner
Even if [Moore's vocalism is brave and bold, at times Latonia Moore's Lady Macbeth could do with sharper definition and more sheer heft...Keenlyside explores the title role in depth, offering... —
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Special offer. Purcell: Hail! bright Cecilia
Gillian Fisher (soprano), James Bowman (countertenor), Rogers Covey-Crump (high tenor), John Mark Ainsley (tenor), Michael George (bass) & Simon Keenlyside (bass)
The King’s Consort & The Choir of New College Oxford, Robert King
Purcell at his most theatrical and most domestic in two celebratory odes. New College Choir's sound is the main draw in a recital that never quite breaks sweat. —
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