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Bestion’s singers are very flexible, and frequently superb...they are equal to Scelsi’s quartertones; and they can sing ‘straight’ when needed. These stylistic shifts are not jarring. —
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Presto Editor's Choice, January 2022
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Marginally less juicy of tone and idiosyncratic of phrasing than Rostropovich, Mørk brings a classical poise and eloquence to his phrasing and a marvellous sensitivity to detail, while Gimse... —
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International Classical Music Awards, 2023, Nominated - Chamber Music
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Rossini: Figaro? Sì!
Florian Sempey (soloist), Martine Marcuz, Orchestre National de l'Opéra de Bordeaux, Marc Minkowski
The appealingly voiced Sempey has sung Figaro in Il barbiere di Siviglia in major opera houses throughout Europe and beyond, and his immersion in the role is abundantly clear in the witty, wellcharacterised... —
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International Classical Music Awards, 2023, Nominated - Vocal Music
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Next Generation Mozart Soloists, Volume 12
Evren Ozel (piano), Jan Mráček (violin), ORF Radio-Symphonieorchester Wien, Howard Griffiths
Ozel's lucid pianism and rhythmic acuity vouchsafes a dazzling account of [the 'Jeunehomme'], inviting comparison with those by Mozartians of the stature of Murray Perahia, Mitsuko Uchida and,... —
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BBC Music Magazine, September 2025, Concerto Choice
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Now, here is something for collectors and enthusiasts who think they have got the lot...there is much of interest, nonetheless, and Justin Taylor is to be applauded for his explorations...For... —
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International Classical Music Awards, 2022, Nominated - Baroque Instrumental
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There’s no playing to the gallery in Lukas Geniušas’s Rachmaninov with a difference, though he could certainly reach to the back of the largest concert hall with his resonant fortissimos . —
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Gramophone Magazine, December 2023, Editor's Choice
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Special offer. Lully: Armide 1778
Katherine Watson (soprano), Véronique Gens (soprano), Chantal Santon Jeffrey (soprano), Philippe-Nicolas Martin, Reinoud Van Mechelen (tenor), Zachary Wilder (tenor), Tassis Christoyannis (bass), Le Concert Spirituel, Hervé Niquet
The story is a splendid vehicle for Véronique Gens…She is in glorious voice...Van Mechelen is ideal as his namesake, mellifluous and attentive to the text. The other singers, familiar specialists... —
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BBC Music Magazine, November 2020, Recording of the Month
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2 CDs + Book
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as a whole Nevermind’s well recorded, illuminating approach offers an enjoyable and engaging supplement to the abundant versions for harpsichord and piano available. —
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In both suites he communicates with assurance the sequence of dances which follow the preludes though, partly no doubt through force of habit, I found myself every now and again yearning for... —
Awards:
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Gramophone Magazine, September 2018, Editor's Choice
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