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Hannigan’s luminous voice perfectly suits this music. She conveys the uneasy, almost unhinged feel of the fin de siècle not only in her lyric singing, but also in her crooning, swopping, sliding,... —
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Presto Editor's Choice, September 2018
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Corina Belcea’s willingness to soar and slide with such sensual abandon makes it deliciously seductive… The second Szymanowski a decade later takes us even further with its post-Ravel impressionisms,... —
Awards:
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Presto Recordings of the Year, Finalist 2025
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Symphonies in 3 Movements
Sohy - Milhaud - CPE Bach - Stravinsky
Orchestre National Bordeaux Aquitaine, Bar Avni
This is a unique collection, well worth exploring...It showcases a musician with fresh things to say about both programming and interpretation. —
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Lazarevitch’s flute beguiles the ear, soaring and diving like a skilfully flown kite. There is a fluid confidence to his playing, an ease with which his focused but singing tone desports through... —
Awards:
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International Classical Music Awards, 2025, Nominated - Concertos
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As always, Antonini coaxes first-class performances from the members of Il Giardino Armonico. —
Awards:
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BBC Music Magazine, March 2023, Orchestral Choice
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Taylor brings youthful vitality and flair to these performances, responding to Bach’s ever-changing idiom with quicksilver playing...Admirable, too, are the colours and quasi-orchestral timbres... —
Awards:
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BBC Music Magazine, November 2023, Instrumental Choice
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As an album it radiates an inventive glee similar to Uri Caine’s Goldberg Variations (Winter & Winter, 10/00). Consider the Ikea-esque build-your-own-motet approach of Super flumina Babylonis. —
Awards:
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Gramophone Awards, 2025 Shortlist, Early Music
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The disc opens appropriately with an unpretentious but nevertheless accomplished unmeasured Prelude...then follows it with a thoughtfully commanding performance of the first 1747 suite. Two... —
Awards:
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Gramophone Magazine, November 2016, Editor's Choice
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The insight and dedication of Pashchenko's accounts transcend conventional expectations, and her partnership with the musicians of Il Gardellino discloses a synergy rarely encountered in comparable... —
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C. P. E. Bach: Sonatas for Flute and Fortepiano
François Lazarevitch (flute), Justin Taylor (harpsichord)
individually and together, Lazarevitch and Taylor know their way around this music, and these performances are skillful and expressive, and stylistically astute, even if they are not stylistically... —
Awards:
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Gramophone Magazine, Critics' Choice 2022
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