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Boccherini: Sonate per il Violoncello Vol. 2

Bruno Cocset (cello)

Les Basses Réunies

Boccherini: Sonate per il Violoncello Vol. 2
This is all fantastically thoughtful ‘authentic’ ear candy for those who like a bit of spice in their HIP, and Cocset himself is the icing on the cake. Playing an instrument specially constructed...

Boccherini: Sonate per il Violoncello Vol. 2

Bruno Cocset (cello)

Les Basses Réunies

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This release includes a digital booklet

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This is all fantastically thoughtful ‘authentic’ ear candy for those who like a bit of spice in their HIP, and Cocset himself is the icing on the cake. Playing an instrument specially constructed...

About

Bruno Cocset pays tribute to one of the precursors of the Golden Age of the cello by recording five sonatas (no.5 in G major, no.2 in C minor, no.1 in F major, no.13 in A major, no.12 in B flat major), based on the manuscripts of the extensive Noseda Collection of the Milan Conservatory. He is accompanied by his partners from Les Basses Réunies, Maude Gratton (fortepiano), Bertrand Cuiller (harpsichord), Emmanuel Jacques (cello continuo) and Richard Myron (double bass).

Contents and tracklist

I. Largo
Track length3:39
II. Allegro alla militare
Track length5:15
III. Tempo di minuetto
Track length2:54
I. Adagio (Prima versione)
Track length5:20
II. Allegro (Prima versione)
Track length5:35
III. Allegretto (Prima versione)
Track length4:02
I. Allegro
Track length5:21
II. Adagio
Track length4:46
III. Allegretto
Track length3:14
I. Allegro
Track length5:21
II. Largo
Track length5:08
III. Allegro
Track length3:33
I. Allegro moderato
Track length5:37
II. Grave
Track length4:05
III. Minuetto
Track length3:25

Awards and reviews

October 2018

This is all fantastically thoughtful ‘authentic’ ear candy for those who like a bit of spice in their HIP, and Cocset himself is the icing on the cake. Playing an instrument specially constructed by Charles Riché with Boccherini’s violin-high writing in mind, his many golden moments include 2/ 34’’ to 3’ 21’’ in No. 5’s Largo, where first you have the soft-focus sweetness of his double-stopping, then the whistle-clean exuberance of his final top swoop.
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