Tartini: Sonate A Violino Solo & Aria Del Tasso

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Release Date: 17th Aug 2018
Catalogue No: ALPHA353
Label: Alpha
Series: Essential Baroque Masterpieces
Length: 68 minutes

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anon.: Lieto ti prendo e poi

Work length1:58

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Patrizia Bovi

Tartini: Sonata XVII in D Major, B. D2

Work length9:16

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$6.00

Chiara Banchini

I. Andante cantabile "Di se senti"

Track length3:33

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II. Allegro assai

Track length2:21

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III. Aria del Tasso

Track length1:10

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IV. Furlana

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anon.: Depon Clorinda le sue spoglie inteste

Work length1:10

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Patrizia Bovi

Tartini: Sonata XXIV in D Major, B. D4

Work length14:49

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$7.50

Chiara Banchini

I. Andante cantabile "Care dell’idol mio"

Track length4:05

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II. Allegro assai

Track length3:46

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III. Aria cantabile "Alla stagion novella"

Track length2:46

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IV. Presto "Amico il fato, guidami in porto"

Track length1:59

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V. "Amico il fato"

Track length2:13

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Tartini: Sonata XIII in B Minor, B. h1

Work length10:09

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Chiara Banchini

I. Andante "Quanto mai felici siete"

Track length4:47

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II. Allegro assai

Track length2:16

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III. Giga, allegro affettuoso

Track length3:06

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anon.: Intanto Erminia infra l’ombrose piante

Work length1:56

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Patrizia Bovi

Tartini: Sonata in A Minor; B. a3

Work length20:01

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$8.30

Chiara Banchini

I. Cantabile

Track length1:55

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II. Allegro

Track length1:47

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III. Allegro

Track length3:27

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IV. Giga

Track length2:03

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V. Tema con variazioni

Track length10:49

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Rolli: Solitario bosco ombroso

Work length1:03

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Patrizia Bovi

Tartini: Sonata II In B Minor

Work length5:43

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Chiara Banchini

I. Siciliana

Track length2:14

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II. Allegro

Track length1:53

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III. Allegro affettuoso

Track length1:36

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Tartini: Solitario bosco ombroso

Work length2:28

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$1.50

Chiara Banchini, Patrizia Bovi

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Although Giuseppe Tartini was taught the first rudiments of music at the College of the Padri dell Scuole Pie in Capodistria, and may have received lessons in counterpoint from the Franciscan Bohuslav Cernohorsky in Assisi, many elements give the impression that the boy had an education that was anything but ‘academic,’ and that the future ‘maestro delle nazioni’ largely taught himself. However, there does exist a declared model for the music of Tartini, at least for a certain period: that of Corelli. His output seems dominated initially by the influence of his great predecessor in terms of both language and structure. The reference to folk music in his music is also obvious. Another interesting element in the sonatas presented on this release is the presence of mottoes of varying length placed next to the incipits of certain movements, and often written in a ciphered cuneiform alphabet invented by the composer. These are poetic quotations, mostly drawn from the works of Metastasio, although not all of them have been identified. At the end of this recording is one of Tartini’s very rare vocal pieces, the last composition copied into MS 1888/1. The poem Solitario bosco ombroso, based on a clearly Petrarchan model and on the classical antecedents of Tibullus and Propertius, was published for the first time by the poet Paolo Rolli in London in 1727, in a musical setting by Rolli himself.

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Tartini: Sonate A Violino Solo & Aria Del Tasso

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