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Special offer. Searching for Ludwig: Beethoven, Sollima & Ferré

Kremerata Baltica; Gidon Kremer; Mario Brunello

Whereas Bernstein embraced the music’s enhanced idiom with (literally) open arms, passionately embracing its full sonic potential, Brunello (No. 16) and Kremer (No. 14) create a sense of introspective...

Special offer. Searching for Ludwig: Beethoven, Sollima & Ferré

Kremerata Baltica; Gidon Kremer; Mario Brunello

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This release includes a digital booklet

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Whereas Bernstein embraced the music’s enhanced idiom with (literally) open arms, passionately embracing its full sonic potential, Brunello (No. 16) and Kremer (No. 14) create a sense of introspective...

About

Gidon Kremer and Mario Brunello pay tribute to Beethoven by presenting two of his most famous quartets in a version for string orchestra played by Kremerata Baltica. The ensemble's founder Gidon Kremer directs op.131 from the violin, while Mario Brunello conducts op.135 and adds two contemporary pieces, one by Léo Ferré, the revolutionary, anarchic, inspired singer-songwriter and great lover of Beethoven : Muss es sein? Es muss sein! We perform this hymn to free music in a version arranged by Valter Sivilotti for cello, strings and percussion with Ferré's original voice. (...) Note sconte means hidden notes in Venetian dialect. Franco Rossi, the legendary cellist of the Quartetto italiano, always invited his students, including me, to look for and give importance to the note sconte in the scores of string quartets. I asked Giovanni Sollima to write a piece in memory of Franco Rossi, of his great passion for Beethoven and his note sconte , comments Mario Brunello. These two works form a bridge between Beethoven and our times, giving the expression Searching for Ludwig a concrete reality in sound , concludes Gidon Kremer.

Contents and tracklist

I. Allegretto
Track length6:46
II. Vivace
Track length3:21
III. Lento assai, cantante e tranquillo
Track length8:28
IV. Grave, ma non troppo tratto - Allegro
Track length6:57
II. Un Canone Allegro
Track length1:37
III. Dal Quartetto Op. 131 di Ludwig van Beethoven Presto
Track length5:02
I. Lento
Track length1:56
IV. Leopold Cadenza
Track length3:31
V. Il deserto rosso
Track length2:01
I. Adagio ma non troppo e molto espressivo
Track length6:27
II. Allegro molto vivace
Track length3:14
III. Allegro moderato
Track length0:53
IV. Andante ma non troppo e molto cantabile
Track length14:53
V. Presto
Track length5:24
VI. Adagio quasi un poco andante
Track length2:04
VII. Allegro
Track length6:16

Spotlight on this release

Awards and reviews

Christmas 2020

Whereas Bernstein embraced the music’s enhanced idiom with (literally) open arms, passionately embracing its full sonic potential, Brunello (No. 16) and Kremer (No. 14) create a sense of introspective awe, closer to the near-suffocating intimacy of the quartet originals...these are performances of scorching insight and stature.

December 2020

Unlike Leonard Bernstein’s famous recording of these same two late Beethoven quartets with the strings of the Vienna Philharmonic –
titanic, emotionally acute interpretations indelibly stamped with that conductor’s imprint – the Kremerata Baltica act more as an augmented quartet, retaining a sense of intimacy that’s still very much in the realm of chamber music...Not to be missed.
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