SACD, Dowland (composer)
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Phantasm here offers the same flawless playing that has earned its members consistent, well-deserved accolades. Despite the brooding nature of the music, their sound is luminous and tempos are... —
Awards:
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Gramophone Magazine, August 2016, Editor's Choice
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Gramophone Awards, 2017, Winner - Early Music
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Building a Library, October 2017, First Choice
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Diapason d’Or de l’Année, 2017, Winner - Musique Ancienne
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Imaginative, sensitive programming has been a constant feature of Ruby Hughes’s collaborations; and this latest with the perennially adventurous Manchester Collective is no exception...A disc... —
Awards:
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BBC Music Magazine, March 2024, Choral & Song Choice
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Gramophone Awards, 2024 Shortlist, Shortlisted - Voice & Ensemble
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Sunday Times, 20 Best Classical Albums of 2024
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The sound of Jakob Lindberg's lute, made by Sixtus Rauwolf in the last decade of the 16th century, is unusually warm...It a meticulously voiced recital that moves between court, theatre and... —
Awards:
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BBC Music Magazine, April 2014, Instrumental Choice
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Gramophone Magazine, April 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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the result is coherently put together, with Hughes's resourceful vocal imagination and use of tone, plus the subtlety and careful placement of her decorations, drawing the ear again and again. —
Awards:
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Gramophone Magazine, March 2026, Editor's Choice
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The intimacy of the lute song suits Kirkby's musical personality perfectly, giving her the freedom to embellish the melodic line and colour the text with subtle nuances. Anthony Rooley proves... —
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Musica Nova: the harmony of nations
Philippe Pierlot, Sergi Casademunt, Lorenz Duftschmid (violes de gambe), Xavier Puertas (violone), Xavier Díaz-Latorre, Enrike Solinis (théobe & guitare), Pedro Estevan (percussion)
HESPERION XXI, Jordi Savall
Jordi Savall’s imaginative programmes keep coming – this one is a lovely collection of music from across Europe. The performances are utterly fresh and full of energy. —
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The publication is performed complete and is wonderful listening, with expressive playing and superbly vibrant, rich sound. The balance of the inner parts and the lute is very satisfying, and... —
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this is a thoughtful, evocative and confident debut. —
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Throughout the SACD Lindberg proves (as if he needed to!) that he is a sympathetic and perceptive interpreter of the lute music of the Renaissance. This is an outstanding, treasure of an album.... —
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Jonathan Freeman-Attwood's playing is notable for the beauty and freedom of line of his lyrical phrasing, while the bravura is exhilarating. Daniel-Ben Pienaar's accompaniments are boldly supportive... —
