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Poulenc - Violin Sonata, FP 119
Genres:
Chamber » Sonatas » Violin Sonatas
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Deux
RecommendedMusic for Violin & Piano by Bartók, Poulenc & Ravel
Patricia Kopatchinskaja (violin), Polina Leschenko (piano)
Playing of such consummate ease combined with involvement and attention to detail...Simply, this is one of the finest, most musically sensitive recordings to have come my way for some time,... —
Awards:
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Gramophone Magazine, February 2018, Editor's Choice
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Presto Recording of the Week, 16th February 2018
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BBC Music Magazine, April 2018, Recording of the Month
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Presto Recordings of the Year, Winner 2018
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BBC Music Magazine Awards, 2019, Finalist - Chamber
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Purchase product
43 CDs
Original price ($231.25) Reduced price $205.81 -
Duo Gazzana: Poulenc, Walton, Dallapiccola, Schnittke & Silvestrov
Duo Gazzana: Natascia Gazzana (violin), Raffaella Gazzana (piano)
A clever and largey engaging collection of 20th and 21st century works that look back to earlier times played by the Duo Gazzana with wit, poise and graceful affection. —
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Hand in hand with the intelligence of the programme go the wondrous playing of the violinist Augustin Hadelich and his like-minded pianist Robert Kulek. These are exceptionally compelling performances,... —
Awards:
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Gramophone Magazine, April 2011, Editor's Choice
Purchase product
CD
$17.75 -
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Invidious as it may seem to pick out just one of these excellent artists, special mention must be made of Ian Brown, who plays in nine of the 13 works included and confirms his standing as one... —
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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This is an excellent, spirited two-CD set...A facotr that comes across clearly here is that Poulenc had a more or less infallible ear for tapping into the timbre and personality of different... —
Awards:
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Gramophone Magazine, June 2012, Editor's Choice
Purchase product
Downloads
Audio formats guide -
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French Violin Sonatas
Kristóf Baráti, Krysia Osostowicz, Mauro Tortorelli, Klára Würtz, Angela Meluso, Susan Tomes, Matteo Fossi
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these are careful and insightful performances of pieces whose identities are predicated upon profoundly different principles...In fact, all three sonatas are conjoined by [the] need to combine... —
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Paul and Helen Huang aren’t related, but the true teamwork makes better sense than any other performance I’ve heard of the Poulenc Sonata for Violin and Piano, inexplicably heard less often... —
