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From Mary Lou to Meistersinger

René Kollo (tenor)

From Mary Lou to Meistersinger

From Mary Lou to Meistersinger

René Kollo (tenor)

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

About

2-CD digipack celebrating René Kollo’s 80th birthday, a tribute to this multi-faceted artist and lively entertainer whose career spanned over four decades.

The collection spans the wide range of his repertoire: on the one hand legendary Heldentenor roles with conductors such as Bernstein, Kleiber and Solti, on the other, operettas, folksongs and Weill’s “Threepenny Opera.” Also included is one of Kollo’s big early successes as a pop singer: his charming 1961 German-language version of the international hit “Mary Lou.”.

Booklet notes in English and German

René Kollo has never accepted the distinction between the echelons of serious art or high culture and entertainment. From a background of operetta that embraced the revue and cabaret genres, Kollo took an interest in Dixieland jazz, flirted with success in the pop music genre, then drifted toward opera. He went on to sing not only arias by Puccini and Verdi but also Lehár and Cole Porter, and became a legendary Wagner tenor. As he wrote in the preface to a programme booklet in 1982, “Lohengrin didn’t want to watch over the Holy Grail, he wanted to descend to humankind. Nor do I feel called upon to focus exclusively on guarding the Grail of German art.”

One of the most beloved and acclaimed Wagner tenors of the 20th century, his first Tannhäuser was recorded with Georg Solti as early as 1970. Following his Lohengrin triumph at Bayreuth, Herbert von Karajan invited him to perform at the Salzburg Easter Festival in a production of Die Meistersinger with the Berliner Philharmoniker. A studio recording with the Dresden Staatskapelle followed as did international débuts in quick succession: Vienna, Chicago, New York, London. And of course, Kollo was de rigueur in Bayreuth’s “Centennial Ring” conducted by Pierre Boulez.

His vast operatic repertoire encompassed Tamino to Florestan, Don José and Otello to Benjamin Britten’s Peter Grimes. In his stunning live performances Kollo identified completely with his roles and brought impressive character studies whether as Tannhäuser or Tristan, Herodes in Salome or Macheath in The Threepenny Opera.

Contents and tracklist

Introduction – Gott! welch Dunkel hier! – In des Lebens Frühlingstagen
Track length11:28
"Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen"
Track length7:36
Stelle her der goldnen Tage
Track length5:25
"Inbrunst im Herzen, wie kein Büßer noch...Dahin zog's mich, wo ich der Wonn und Lust"
Track length11:05
"Morgenlich leuchtend"
Track length6:03
Tristan! - Isolde! Treuloser Holder!
Track length6:48
"Noch ist kein Schiff zu sehn!"
Track length10:28
"Amfortas! Die Wunde!"
Track length6:38
I. Das Trinklied vom Jammer der Erde
Track length8:35
Zuhälterballade
Track length5:08
Ballade vom angenehmen Leben
Track length2:52
Grabschrift
Track length3:57
Grüß mir die süßen, die reizenden Frauen
Track length3:08
Auch ich war einst ein feiner Csárdáskavalier
Track length6:28
Grüß Gott, mein liebes Kind
Track length3:43
Als ich ward ihr Mann
Track length2:14
Du süßes Zuckertäuberl mein
Track length3:57
Wiener Blut
Track length5:31
Nr.5 "Trinke, Liebchen, trinke schnell"
Track length2:52
Von Apfelblüten einen Kranz
Track length3:42
Bei einem Tee à deux
Track length3:13
Dein ist mein ganzes Herz
Track length3:50
Immer nur lächeln und immer vergnügt
Track length5:08

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