Signum
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The notion of a musical journey may be a cliché, but this intelligent collection is no hackneyed metaphorical package tour…What makes these travels so beguiling is the combination of Bevan and... — More…
Awards:
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Gramophone Awards, 2018, Shortlisted - Solo Vocal
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Labyrinths Victoria Brawn, Guy Schalom, Trish Clowes (saxophone), Nicky Spence (tenor), Francesca Moore-Bridger, Jim Moray, David Le Page, David Gordon, Mark Ashford, Diane Clarke, Eleanor Turner, Sally Harrop
Orchestra of the Swan, Daniele Rosina
A wildly eclectic programme, which makes for an exciting listen. While some of the ensemble playing could be tighter, the solos are ethereal and thoughtful. — More…
Awards:
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Gramophone Awards, 2022, Shortlisted - Spatial Audio
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The fierce agitation of the outer movements of Haydn’s Symphony No. 39 certainly exemplify such qualities [Sturm und Drang], just as the dynamic sweep and hair-trigger precision of Ian Page’s... — More…
Awards:
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Gramophone Magazine, November 2020, Editor's Choice
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Karl Jenkins: The Armed Man (A Mass For Peace)
London Orchestra da Camera, David Temple, Hertfordshire Chorus, Osama Kiwan
This is the first recording of the ‘Ensemble Version’ of Jenkins’s 2000 ‘Mass for Peace’, essentially an arrangement by him for reduced orchestral forces. There’s no lack of heft here, though,... — More…
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Byrd: Sacred Works Nicolas Haigh, Gerre Hancock
The Saint Thomas Choir of Men and Boys, Fifth Avenue, New York, Jeremy Filsell
Filsell, Haigh and Turner were all educated in England so they understand the choral tradition well, though with more than 30 singers, the impressive effects tend to come in the more monumental... — More…
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Stainer: The Crucifixion
Andrew Kennedy (tenor), Neal Davies (bass) & Darius Battiwalla (organ)
Huddersfield Choral Society, Joseph Cullen
…the Huddersfield Choral Society under Joseph Cullen's highly sensitive direction provides a vital instance of how The Crucifixion was conceived - that is, to be sung with romantic, emotional... — More…
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Bartók: Duke Bluebeard's Castle, Sz. 48, Op. 11
Sir John Tomlinson (Bluebeard), Michelle DeYoung (Judith) & Juliet Stevenson (narrator)
Philharmonia Orchestra & Philharmonia Voices, Esa-Pekka Salonen
Salonen conducts a taut, luxuriant reading that captures the score’s majesty and mystery. John Tomlinson’s Bluebeard makes up in histrionic heft what he has lost in vocal poise, but is overshadowed... — More…
Awards:
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Opera, June 2014, Recording of the Month
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Nethsingha asks a lot of his 33 singers in terms of nuance and dynamic contrast – far more than most collegiate choirs are capable of – and their corporate virtuosity is palpable in a thrillingly... — More…
Awards:
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Gramophone Magazine, June 2021, Editor's Choice
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